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Previous thread:
Is there anything wrong with putting two ozone plug-ins on the same master track?
I dunno if Yas Forums already knows about it, but anyone looking to fiddle around with mixing some well known metal or hardcore bands there's a bunch of stems available from bands like Converge and Deafheaven at isolatecreate.netlify.app
clyp.it
Here's a version of Converge's "Aimless Arrow" I threw together with 13dB of dynamic range, compared to 4 on the album.
i sometimes put 5 neutron 3 plugins in a row and set the track assistant to detect a different intrument for each of them, i've lost the fuckin plot man
>tfw working on 10 entirely different songs at the same time
>can't pick a genre or artistic direction to run with
These are the sorta vibe i've got with songs i'm working on:
synthpop
house
ambient pop/jazz
atmospheric drum and bass
reggaeton/dancehall
lofi hip hop/boom bap/plunderphonics
should I work on heaps of different shit or figure out one lane and run with it?
Neutron 3 looks wicked, is it worth it?
Could do elements of all those genres in all songs so they have a kind of uniform of 'they're all loads of things' rather than an album of songs that don't sound anything like each other.
Synth pop / ambient / lofi stuff all work well together though anyway imo
i think so, but then again i kind of seek out the most incredulous and unintended ways to misuse the software i have, ive composed severel whole songs entirely within rx 7 or no other reason than "hey it will probably sound different than anything else out there" tldr: i like them, but i have no idea what i'm doing
thoughts on my basinski rip off? clyp.it