My bias is towards the music, not the lyrics: it is called "rock music", not "rock literature"...

I want to hang out with him

Allin, however, was running out and, released in April of that year, would have died two months later (on June 27, 1993) in the bathroom (presumably by overdose), thirty-six years old. He had just completed another of his mutilation shows / rituals (complete with face cuts and defecation on stage), proving his undisputed supremacy as a punk extremist.

Allin is the only musician who could record a video in which he breaks into an elementary class and, after breaking several objects in his mouth, having broken several bottles on his head and having scarred his chest with a can, attacks a girl and is beaten. to blood from those present.

Allin was really the animal he claimed to be. It wasn't just on stage, it was in everyday life. Everything his songs talked about was autobiographical. Infinite anecdotes tell far more foul stories than those described in his songs (such as when he had to be hospitalized urgently because his throat was clogged with sperm, or when he was violent and then ate the carcass of an animal). He really hated everyone, including himself. He had every reason.

It was the most futile sacrifice of rock music.

Worthy compilations include Dirty Love Songs (Fanclub, 1987) and Hated In The Nation (Roir, 1998).

Allin was more a psychological case than a musical one, but musically he may be taken to have represented an extremely depressed and sociopathic state of mind, while maybe self-pitying his inability to redeem himself.

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