My bias is towards the music, not the lyrics: it is called "rock music", not "rock literature"...

>My bias is towards the music, not the lyrics: it is called "rock music", not "rock literature". And there's a reason: as literature, it is worth very little. Even the greatest rock lyricists are, at best, mediocre poets. No surprise, therefore, that i rarely mention the lyrics of a song. The overall feeling is, in general, much more important than the literal message.

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Yeah

Yeah

Yeah

well that explains why he thinks Sister Ray is the best song ever

And he's right, cope.

it's just noise though

lmao all music is just noise retard

No, he's not. I've never even heard anyone claim that.

but he gave Bob Dylan a 9/10

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One of the few thing I agree with him on 2bh.

i very lite redpill but still something people need to hear

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tbf when Blonde and Blonde came out it, the music itself was considered borderline avant-garde.

I'd be embarrassed to have an image like that on my computer, but you apparently feel good enough about it to post it.

back to radiohead

Seethe.

well that's because Bob Dylan is the absolute peak lyricism in rock music

i dont even like radiohead lol

No idea who is this guy but he has a point.

Scaruffi

>that i rarely mention the lyrics of a song
that's not even true. he often references lyrical themes in praise of his favorite albums and goes out of his way slag off others ("[artist] was never a good lyricist.") he obviously cares about lyrics like any other critic does

Cope, fucking faggot

I always wondered how do you pronounce his name?
Sca-roo-fee
Sca-ruf-fy
Scaruf-ee

BASED

youtube.com/watch?v=KnH-nF6J-OA

absolutely 100% correct

>radiohead fan describes his emotion in real time upon being reminded of scaruffi BTFOing radiohead

anyone who makes a career out of listening to music immediately loses my respect. you guys literally have no other hobbies other than listening to music and you probably watch movies and tv too. please evolve.

I want to hang out with him

Allin, however, was running out and, released in April of that year, would have died two months later (on June 27, 1993) in the bathroom (presumably by overdose), thirty-six years old. He had just completed another of his mutilation shows / rituals (complete with face cuts and defecation on stage), proving his undisputed supremacy as a punk extremist.

Allin is the only musician who could record a video in which he breaks into an elementary class and, after breaking several objects in his mouth, having broken several bottles on his head and having scarred his chest with a can, attacks a girl and is beaten. to blood from those present.

Allin was really the animal he claimed to be. It wasn't just on stage, it was in everyday life. Everything his songs talked about was autobiographical. Infinite anecdotes tell far more foul stories than those described in his songs (such as when he had to be hospitalized urgently because his throat was clogged with sperm, or when he was violent and then ate the carcass of an animal). He really hated everyone, including himself. He had every reason.

It was the most futile sacrifice of rock music.

Worthy compilations include Dirty Love Songs (Fanclub, 1987) and Hated In The Nation (Roir, 1998).

Allin was more a psychological case than a musical one, but musically he may be taken to have represented an extremely depressed and sociopathic state of mind, while maybe self-pitying his inability to redeem himself.

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