Heat is a cookie-cutter movie with nothing memorable except an overrated shootout because muh realism.
I also legit hate Blade Runner and Avatar.
Kino
Is Roger Van Zandt the father of Portman's character?
Now, Vincent once says "I've got a stepdaughter so fucked up because her real father's this large-type asshole" so we know he was rich/successful, just like Van Zant would be. Vincent also says to Ralph "You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house if you want to." So that further shows that Justine's former husband was rich that he was able to afford this house. And when we see Van Zant's house at the end, was it post-modernistic too? idk about that all the houses seemed like that to me though.
What do we know about Van Zant? We know he is the boss of that company as well as a money launderer. Perhaps he is someone who is busy most of the day and has little time for family? Perhaps he was married to Justine and was too busy so thats why she divorced him (we know she wants Vincent to spend time with the family than work all the time, so it would make sense she left her prior husband for that reason). We dont see Van Zant with any other woman. In his final scene he was sitting by himself in his house.
Now, remember when Portman was expecting a visit from her dad? this was the same day that Van Zants armored truck got robbed. Perhaps he was too busy from this and everything that followed to stop by and visit his daughter. And at the end when he got killed, perhaps Portman was trying to call him and he never picked up the phone calls so she thought he didnt want anything to do with her anymore and decided to kill herself, or maybe she saw he was dead on the news and thats why she decided to kill herself
what was so good about his reload? was it just that it was fast?
cold
people who look like that are the movie's biggest fans, idiot
>no u
nah, kiddo
No need to get butt tickled.
He's right, you're wrong.
cookie cutter in the sense it take familiar cues from traditional action/crime films certainly, but the central conflict between pacino and de niro as two men on opposite sides of the law with a similar view on life who both possess actual, real honor is a depiction of masculinity rarely accomplished in fiction, especially film.
have a gif
>but the central conflict between pacino and de niro as two men on opposite sides of the law with a similar view on life who both possess actual, real honor is a depiction of masculinity rarely accomplished in fiction, especially film.
Cringe.