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>haha babe, I saw this absolutely crazy guy yesterday, genuinely looked like he was out of smash mouth or something!
>Really? Where was it?
>Don't remember, but he looked hilarious. Pass me your sunglasses..
Yeah, he was wearing them like this and I could see him talking to this girl who really wasn't into it, had her by the back of the neck like this and was just talking, had his hand up here, like that!
>Haha, you're so good at impressions user!
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if you ever wondered if Yas Forums was truly r*ddit, look no further than this thread
>tfw I basically did this 6 years ago to my now-wife on our first date
Baneposting pays off.
Missing the point of that post so hard makes me think that you're an incel. It's not THAT he's touching her, it's WHERE and the way he's touching her. Hand over the shoulder? Great. Hand on the lower back? Great. Gripping the back of her neck? THere's something wrong there.
>"I don't get it."
imagine being this autistic
You see babe, the best part are these tender little moments of subverted expectation, which contrast with the shock and suddenness of violence to make us think twice about the characters' humanity. First, Serrano hands a letter to the oil boss, who pockets it. The viewer questions for an instant whether he'll crumple it, since it's obvious Serrano will never be in position to confirm it's been sent -- but the boss keeps it. Later, after Nilo saves Scanlon's life by defeating the rebels, Scanlon immediately goes for the driver's door. However Instead of escaping, he suddenly chooses to bring the dying Nilo.
Finally, when the boss asks Scanlon about Managua, the viewer is ready for noble empathy, for him to "do it for Nilo." That final subversion forces the viewer to revisit the relationship of the lazaro drivers and by extension every character.
>this
you need 6 more levels of irony to post here
Oh yes darling! I especially liked the way they inverted the plot of Treasure of the Sierra Madre, right down to that final scene and the notion of taking up the mantle of a dead man's life.