If it's your first time listening to an audio book or audio drama then it's probably a matter of acclimating yourself to them. Listening to audio dramas or audio books is definitely a distinctly different experience from listening to music, reading a book, or watching a movie/television.
/who/ Doctor Who general
Jonathan Harris
Landon Scott
Huh. Neat.
Sebastian Cook
Gee, you picked the wrong one to begin with, I heavily recommend you to listen the 8th doctor ones, they are on Spotify or at least most of them, there's some great stories on the 6th (urgent calls) and 5th (cuddlesome) doctor on the Big Finish sound cloud and search for a lost stories of the 4th doctor called "the foe from the future" for some reason the 10th doctor ones aren't as good and I'm kinda sorry about it.
Justin Robinson
>Superior
>Watching TV
Choose one horse fucker.
Caleb Lopez
Is tennant bad to start with?
I’m nuwho only so idk which other ones to listen to besides perhaps 8th.
Luis Thompson
Can't argue with those digits. Buy why argue when we can play Only Fools and Horses using the Doctor Who RPG?
Adrian Taylor
dilate
Josiah Carter
8th doctor ones, they are on Spotify or at least most of them, there's some great stories on the 6th (urgent calls) and 5th (cuddlesome) doctor on the Big Finish sound cloud and search for a lost stories of the 4th doctor called "the foe from the future" also on Spotify. Maybe it's how the pace of his era is different from other doctors and maybe that's the reason the 10th doctor ones aren't as good and I'm kinda sorry about it, all doctors should have great stories on all mediums.
Joseph Anderson
brothers in arms
Dylan Gonzalez
That's a matter of taste really. I didn't mind the 10th audios myself. They're decent but nothing mind blowing. I will say that the Big Finish Tenth audios are differently paced from the televised episodes which might be throwing you off. As I noted here: I like to listen to Big Finish at 1.2x speed. What often happens with audiobooks and in many audio dramas is that as you speed it up the speech patterns of the cast transition from performers reading from a script into what sounds like more naturally flowing dialogue. Where that point is reached is a matter of preference of course.