i run an e-label which, at the time of writing this, directly offers work from a team of producers, engineers and graphic designers, and will soon be moving into the printing of cassette tapes.
we promote musicians who make music out of their bedrooms predominantly.
>Punk/Yell Rap Fusion >Aggressive Raw Vocals >Thundering Bass
We're 6 followers away from 100! Thanks to everyone for all the continued support. This new track serves not only as my thank you to everyone for accompanying me through this journey, but as acceptance to being who I am and making what I want to. Wouldn't be here without y'all!
>Sicktopic crunk >Cum free mouthwash and treble >Neoclassical shoegazestep >Planet sex vibrations >Eargasmic anal destruction compilation >Winch crunk >Double time hip hop >Syncopated titstep
I produced this track in my garage while drinking caffeine. I like caffeine way to much. This track is actually not complete shit like most of the stuff that is shilled here so you should listen to it. I am fucking ZANY but I am not a retard like dubbi.
This is way over promoted. You have so many plays and almost no followers because your vocals suck ass and you have no aesthetic taste whatsoever.
Rec: Very artistic stuff. I like the fact that despite being ambient, it is actually good. It puts me in a mood and makes me imagine being in a place.
>sanpakuniversity.bandcamp.com/ serious question, i am not meaning to be a dick by asking it: what is your motivation behind this? you met one of your artists so is it creating a sort of scene with people you know? the tracks are mainly short and uncommercial, so there's little money to be made (as if running a big indie label makes you money...). is it about building a brand or getting a portfolio for some other aspect, such as design or whatever?
i'm not bashing it, just curious what made you decide to make the jump into spending time doing it. i know others who ran labels in the 90's & 00's and they started out of a love for the music, but that music had some commercial possibilities (no offence).
Jaxson Turner
>sound art where is your artists statement so we know how to interpret this?
Dominic Ortiz
i sincerely love everything i publish, and having a hand in the creation of something i love compensates for my lack of practical ability to create it myself; be it in promoting it or having it mastered don't mean to sound like a fag but i mean what i mean lmao
John Rivera
Bay Area, USA
Charles White
Maudlin, garbage EDM. Nauseating.
Like Loveless if it were a lot less good.
??? Also
>gab.com >bitchute.com
Is your music being canceled by Twitter?
Interesting, but fundamentally lacking in musical talent and intuition. Not to say it can't necessarily be acquired through better learning, but it isn't present there, unfortunately.
Some interesting ideas. Unfortunately pretty repetitive-sounding to me, personally. It might be worth considering if you should or could find ways to pack more information per time unit.
How can I start a label like you, OP? It'd be cool to help promote the Yas Forums artists that I find and like. Did you just make a website and say you're a label? Also is the team just some random people you know with some broad skills? (Not asking facetiously.)
Brody Clark
>having a hand in the creation of something i love compensates for my lack of practical ability to create it myself cool, i can completely understand that. i think there's nothing faggy about the perspective, it sounds sincere as opposed to some jumping-on-the-bandwagon reasons that many have for such a thing. good luck with the tapes thing, there seems to be a good scene in that.
Landon Miller
>Did you just make a website and say you're a label? checked your numbers. not the user you are asking, but yeah that is all you need to do to start. if you are not an artist yourself, find music you want to put out and contact them. be honest with them.
>quinces holy fuck practically yeah, i just set up a soundcloud and paid for a premium bandcamp page and went from there and yeah lol, realistically they're a group of friends and peers and shit interested in working for credit, but a lot of them are super dead-on about our label identity and even come to me with artists they think are tight
Hudson Stewart
cheers man, don't mean to spam the thread but this was really reassuring. good day