The Fear is the greatest song of the 21st century so far.
The Fear is the greatest song of the 21st century so far
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Yots is trash and so is that song
have a sad cum bb
do dgfags really?
literally the worst DG song in their entire discography
listening to that track for the first time made me want them to just stop putting out more music because of how fucking garbage & ostentatious it sounds, and I say this as a former DG mega-fan who listened to their shit non-stop at one point
The only songs that come close are Up My Sleeves, Billy Not Really, and Voila.
their best song is beware
Beware is gay.
>Death Grips Is Online - 9/10
>Flies - 7/10
>Black Paint - 10/10
>Linda's in Custody - 7/10
>The Horn Section - 4/10
>Hahaha - 8/10
>Shitshow - 7/10
>Streaky - 6/10
>Dilemma - 7/10
>Little Richard - 3/10
>The Fear - 8/10
>Disappointed - 7/10
shit taste
It's pretty good but can just be boiled down to experimental pop music. Hardly innovative or culturally relevant at all which automatically disqualifies it for greatest song of the 21st century
>culturally relevant
Is MC Ride schizo? How does he write lyrics like that?
correct
complete list of good death grips songs:
Beware
Hacker
That one where it's like DNG DNG DNG, DNG DNG DNG DNG DNG DNG, DNG DNG DNG DNG DNG DNG, CH-WA-CH-WA BEEYATCH for 6 minutes
cool opinion, zoomer
It's easily the best song on YOTS, sounds like you got filtered buddy
Death Grips are late millennial core. Zoomer core is like Lil Peep or whatever.
death grips are the band of the century thus far unironically
so so important
No that would be Pan Sonic.
>how fucking garbage & ostentatious it sounds, and I say this as a former DG mega-fan who listened to their shit non-stop at one point
damn your opinion took on less credibility with every successive word
Black Quarterback sounds like how robotripping feels. Does anyone else know what I mean? The way the Bjork vocals go in and out it feels so dissociated like it's all in your head.
youtu.be
>Death Grips are late millennial core
you are clinically retarded
NOOOO YOU CANT JUST PUT IN A TRUMPET BRING BACK MUH OLD GRIPS
This.
Why do faggot bugmen care about what's "culturally relevant"? Just listen to what sounds good and stop worrying about what's "relevant" you soi infested queer.
Basic bitch taste
bump
this desu
sexless loser
It makes me think on such stuff, there's this whole PC Music today, and it sounds kind of futuristic to a certain extent, but I think Niggas on the Moon, it gets so close, so close to the future that - have you seen those 80s movies where the guys fantasise about the future and it seems so plausible, it seems so real at the time. In the 2000s, I think, we stopped fantasising about the future, and I think Niggas on the Moon kind of does this but for our era, the years we're living on, and I think they get that plausible, that realistic peek on the future - some kind of hyper-accelerated, some kind of confusing but very precise world in that particular way, I think it's a very visual album, and one that is telling lots of stuff. These 8 songs alone, they convey way more than a song from, say, No Love Deep Web - very nice songs but they are just songs, and here it's kind of their manifesto. That's what I can say about Niggas on the Moon.
You see interesting things in things
Yes I agree. Good post user. Also NOTM sounds like a DXM trip.
You skipped the first half
>>Well, this album, you know, is very special. We can enjoy all the guys' albums but Niggas on the Moon has this self-contained quality first, it's like a world that they are describing to you through songs. I think it's a very visual album. They all have visual qualities but this one is so visual, I think it's kind of the repetitive nature of the songs, the very rhythmic quality of the songs that make you, like dream about some futuristic world. It has this quality of being so centred on timbre, not melody, but timbre, but texture. I think that's the concept and they pushed it forward like to the extreme. All the other songs of the band you can see some melodies, some chords, some arrangement, but here it's like the opposite, here it's like a whole kind of langauge they're proposing, a language which we haven't listened to before. It's some kind of language or some kind of coding, some kind of cryptic writing like this in this futuristic world, the guys had to come up with a way to encode some knowledge from being deleted, like a book, like some kind of artistic piece. So it got encoded in these songs, I can think, in something like that.
not even the best song on YOTS (which would be Disappointed)