/classical/

Scriabin Edition

youtube.com/watch?v=yzQ651A6N3E

>General Folder #1. Renaissance up to 20th century/modern classical. Also contains a folder of live recordings/recitals by some outstanding performers.
mega.co.nz/#F!mMYGhBgY!Ee_a6DJvLJRGej-9GBqi0A
>General Folder #2. Mostly 20th century/modern with other assorted bits and pieces
mega.co.nz/#F!Y8pXlJ7L!RzSeyGemu6QdvYzlfKs67w
>General Folder #3. Renaissance up to early/mid-20th century. Also contains a folder of Scarlatti sonate and another live recording/recital folder.
mega.co.nz/#F!kMpkFSzL!diCUavpSn9B-pr-MfKnKdA
>General Folder #4. Renaissance up to late 19th century
mega.co.nz/#F!ekBFiCLD!spgz8Ij5G0SRH2JjXpnjLg
>General Folder #5. Very eclectic mix
mega.co.nz/#F!O8pj1ZiL!mAfQOneAAMlDlrgkqvzfEg
>General Folder #6. Yellow Piss stuff. Also there's some other stuff in here.
mega.nz/#F!DlRSjQaS!SzxR-CUyK4AYPknI1LYgdg
>Renaissance Folder #1. Mass settings
mega.co.nz/#F!ygImCRjS!1C9L77tCcZGQRF6UVXa-dA
>Renaissance Folder #2. Motets and madrigals (plus Leiden choirbooks)
mega.co.nz/#F!il5yBShJ!WPT0v8GwCAFdOaTYOLDA1g
>Debussy Folder.
mega.co.nz/#F!DdJWUBBK!BeGdGaiAqdLy9SBZjCHjCw
>Opera Folder. Contains recorded video productions of about 10 well-known operas, with a bias towards late Romantic
mega.co.nz/#F!4EVlnJrB!PRjPFC0vB2UT1vrBHAlHlw
>Book Folder #1. Random assortment of books on music theory and composition, music history etc.
mega.nz/#F!HsAVXT5C!AoFKwCXr4PJnrNg5KzDJjw
>Book Folder #2. Comprehensive list of the most important harpsichord and piano pieces through history
mega.nz/#F!1xJgVSLA!i2eLakjehx5DY8qYUzS0Zg
>Book Folder #3. Harmony, Composition, Counterpoint and Orchestration
mega.nz/#F!2k9VgKob!5N3Kwf0RIQeayYcA4XvRyg

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Every Bach piece sounds the same. Shit-tier composer.

...

Disliking Bach is a sign of low musical intelligence.

There's a reason why every major composer for the past few hundreds years has absolutely adored Bach and been deeply inspired by his work. And that reason is because the music that Bach created was simply brilliant.

If you don't love the baroque style compared to later styles thats one thing. But you have to respect the ingenious of Bach's work.

Disliking Bach is like disliking Shakespeare or Isaac Newton. It comes off as ignorant.

I’ve never listened to Sibelius, Schubert, Schumann, Scarlatti, Saint Saens, Rachmaninoff, Prokofiev, Messiaen, Mendelssohn, Mahler, Liszt, Janacek, Haydn, Handel, Britten, Brahms, Berlioz, or Bartok.

Who do I skip? Who do I listen to some stuff? Who do I listen to everything they made?

Bow before the god of chamber

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holy fucking pleb just listen to stuff and see if you like it or not.

>Who do I listen to everything they made?
Sibelius, Schubert, Schumann, Scarlatti, Saint Saens, Mendelssohn, Mahler, Liszt, Haydn, Handel, Britten, Brahms, Berlioz, and Bartok.
>Who do I listen to some stuff?
Janacek, Messiaen (but only skip the stuff post-1974, everything before that is golden)
>Who do I skip?
Rachmaninoff

I listen to classical by picking one composer and then listening nonstop for 6 months straight so I'd rather not waste of my time with someone if there is someone better I could be listening to

>composers that evoke the highest emotional response
Bach
Mozart
Beethoven

>composers that are the most fun to listen to
Haydn
Handel

>most pretentious composers
Mahler
Wagner

>composers that innovated the most for the sake of it and never composed anything good
Cage
other modernists

>composers that innovated the most for the sake of making their music better
Debussy
Stravinsky

forgot to put Prokofiev on the "some stuff" category

What I admire of all these edgy contrarians shitting on the greatest names of academic music is the fact that they look at centuries of history, composers, influences, schools, critics, even public appreciation right in the face -centuries of it!- and say: "No. It is you who are wrong. I have found a hidden truth invisible to two, three, five hundred years of fanatical scrutiny; I alone have found this flaw: Your admired and revered and established composers are a fraud and my own personal taste or distaste is what objectively dictates and steers reality itself." Of course, when they are faced with this reality, their addled brains immediately turn this logical fallacy of theirs into an argumentative fault on the other: "you're just appealing to authority/antiquity/popularity". There, the logical vacuum has been filled with something, anything, and the panic of facing reality has been once again avoided.

It takes an absolutely enormous ego, an impossibly blind critical eye and an unsalvageable ear, but overall it takes the obstinate monothematic wall-banging of a literal schizophrenic to think that way, and I think that's one of may forms, or deformities as it were, that courage can take. Just for that, I salute you.

now that I think about it you might as well skip Britten too, and replace him with a more interesting british composer of the era like Delius or Vaughan Williams

too many addendums; let's try this again properly

>Who do I listen to everything they made?
Sibelius, Schubert, Schumann, Scarlatti, Saint Saens, Mendelssohn, Mahler, Liszt, Haydn, Handel, Brahms, Berlioz, Messiaen (except his post-74 work which is meh) and Bartok.
>Who do I listen to some stuff?
Janacek, Prokofiev
>Who do I skip?
Rachmaninoff, Britten

I gotta say this 12 post stuff is really quite impressive
Have some florida for your troubles
youtu.be/tEWl60cUd_Y

Thanks. I thought it would only be a handful of composers from that list that I should listen to everything from.

If you want help, you should probably prioritize the early romantics(mendelssohn, schubert, schumann, liszt)
Liszt is a good jumping point into late romantic stuff

Right now go to youtube and listen to Rachmaninov piano concerto 3 (Horowitz, Argerich -this one super fast-, Trifonov are all good) and Liszt Piano Sonata in B minor

youtube.com/watch?v=MOOfoW5_2iE

I can't listen to Beethoven or Handel because they sound too "naked" and (I don't know how to put it) "dramatic" or "sentimental" to me. Other romantics have this problem too (as you'd think) but none of them bother me nearly to the same extent as Handel and Beethoven.
t. Listens most to Renaissance - Classical

yo fuck the music she make my dick hard

Beethoven was an incel manlet drama queen. That is why his music is like that.

You could remove Rachmaninoff from history and the course of music wouldn't change

Thanks for your input but please reply to my post directly next time otherwise I get no (You)s

I only listen to renaissance, baroque and classical for the same reason with the exceptions of Chopin, Schumann and Debussy because they aren't that dramatic. I can't stand Beethoven, Tchaikovsky, Mahler and the like.
I still enjoy Handel, though. He doesn't sound that dramatic to me, I don't see how his Water Music sounds any more dramatic than other famous baroque concertos like the Brandenburg Concertos and the Four Seasons.

youtube.com/watch?v=58f6NVMSSXA

>I can't stand Beethoven
opinion disregarded

Fuck off swampy

Is prokofiev an aquired taste or is he just boring?

Only good thing Beethoven did was pave the way for Brahms and Wagner.

The same goes for Bach, he was an old fashioned reactionary, and during most of Haydn's lifetime, people thought CPE Bach was a greater composer than his father. Classical period music doesn't owe much to Bach.

>early romantics
don't forget Berlioz

He's too traditional, not necessarily boring. You go to him when you're in the mood for sober, "traditional" music in the midst of a century of experimentation and mould-breaking. It's not an acquired taste either since he's so readily accessible. It's more for the kind of people who prefer Stravinsky's stark neoclassicism over his revloutionary modernist period or his late adoption of serial techniques.

>yfw youll never listen to a live orchestra again in the free way it used to be
concerts will ptobably come back but half people will be masked, there will be covid anouncements and the atmosphere will be ruined forever for such acts.

>The same goes for Bach, he was an old fashioned reactionary, and during most of Haydn's lifetime, people thought CPE Bach was a greater composer than his father. Classical period music doesn't owe much to Bach.

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