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Nicholas Wood
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Jace Wood
soundcloud.com
>postpunk
>downtempo
>freak
I'll bite
Anthony Miller
Nathan Bennett
something i've been slowly working on for the past couple days. still real messy.
soundcloud.com
> folktronica i guess?
> not really though
Jonathan Gray
soundcloud.com
>Crushed Trap
>Playboi Carti
>Hexd
>Remix
Owen Wood
uploaded this thing I half improvised last year.
Alsoooo
recs:
Oliver Peterson
simoncameronfletcher.bandcamp.com
also:
soundcloud.com
>acoustic jangle pop
>depression pop
>sounds like alex g, or daniel johnston, or guided by voices, or sebadoh
-
rec:
Tyler Stewart
open.spotify.com
>indie pop
>dream pop
>low-fi
>light psych
recs:
Kevin Miller
soundcloud.com
>indie, folk, alternative
Good stuff:
Jacob Ross
//Usless//- WormHole
Genre:DarkWave, Industrial, Vaporwave, ambient
Landon Brooks
soundcloud.com
> indie rock
Carter Brown
Fresh ep
>Gritty electronic grooves
>Glossy synths
>Psychedelic
>Synthpop
>Soundtrack
>soundcloud.com
damn this is super dope. I love how the drums push the song along
Jason Butler
MILITANT POSER STOMPING FOLK ANNIHILATION FROM HELL
anal-catharsis.bandcamp.com
>new demo
>improvised
>folk
>noisy
>vomit and violence
Recs:
Carter Jones
soundcloud.com
another punk demo for you guys
Christopher Garcia
Wyatt Collins
My song
soundcloud.com
>guitars
>genremashup
>allOG
This was pretty good, the singing came off a little under confident but that might just be what you’re going for. My advice would be to turn the percussion up and maybe think about layering your vocals or adding some back up vocals.
Always great, big rec
Recd in a past thread, very cool improv check it if you haven’t
Jacob Murphy
soundcloud.com
>black metal
>industrial
>progressive
recc:
Elijah Walker
Alright , let's pump up the musical $wag up in 'ere!! NEW SONG "Feel It!"
youtu.be
>Jazz
xyddi.bandcamp.com
>Jazz
>free download
MU$IC VIDEO$
youtu.be
>free jazz industrial fusion
xyddi.bandcamp.com
>Silly!! Robots and cyborgs live in a techno-political neo-society where you trade cloud storage space as payment. Post-Tribal warfare breaks out between rival gangs in AI governed Smart-Cities, While Cyber-Enhanced super humans feast on human flesh.
____________________________
Volume 7.0 - MEGADUBB
youtu.be
youtu.be
>post dubstep
MU$IC VIDEO$:
youtu.be
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_________________
Are you all working towards your goals? Do NOT give up on your journey. We are all here to be who we are, and if making music is a part of that then make that music!!
A new day.
Oliver Thomas
Heh.. You snuck by me . read the bottom of my post
Wyatt Bennett
youtube.com
produced, edited and filmed this a couple months back. just put it out today.
Nathaniel Davis
soundcloud.com
>thrash
>punk?
Adam Taylor
soundcloud.com
>experimental
>acoustic
>ambient
>fingerstyle guitar
>folk
>indie rock
Guitar tunes I make from time to time.
Full albums: bluekite.bandcamp.com
recs
Jaxson Adams
soundcloud.com
>idk
>°_°
Jack Scott
Chase James
auxmind.bandcamp.com
very well recorded
nice changeups, super fun
Ian Lopez
isnt the goal of the musican to make greater and greater music, for himself first and foremost?
t. idiot user
Jeremiah Wright
soundcloud.com
>soundtrack
>silent hill
Bentley Scott
>isnt the goal of the musican to make greater and greater music, for himself first and foremost?
For some. But I make it because I want to. I'm not improving financially or stylistically or fanbase wise. I'm inclined to just do it for thesake of doing it - a compulsion!
Chase Brown
soundcloud.com
>post-vaporwave
>trippy, trap flared
>conceptual plunderphonics
Charles Evans
soundcloud.com
>sunny synth pop
>sample based
Isaiah Brooks
Polyrhythms are more important than you beginner producers think. You think"duhh Im st00pid so I du kick one 1 and snare on da 3, yay!" But that's pathetic. Man up and experiment with legitimate beats and rhythms. You should learn about Complex Flow. It's an important aspect to enjoyable beats. Once you man up and start trying to create something great instead of something that will go "viral" (which NEVER do, if that's what you aim for... HA!) But whatever, I can rant to you all day and you'll still be making generic beats.
There's something really important you 2 rookies need to know so I'll spell it out easy:
The problem I have with 99%
of "musicians" who sample
other people's work is LONGG.
The big thing is with these digital
sound sampling devices, back
in the day my sh!t was ANALOG
bro, do you even know what
analog means? Whatever,
anyway these digital systems
are, we are told, music mimics
par excellence, able to render
the whole orchestral panoply,
plus all that grunts, or squeaks.
The noun "sample" is, in our
comodified culture,pre-fixed by
the adjective free, FREE. as
in STEALING. So now you're
lying about being an artist and
if one is to consider predicating
this subject, perhaps some
thinking aloud on what is not
allowable auditory appropriation
is to be heard.
Some of you, current and potential
samplerists are confused, I KNOW
you're confused, and it's about
the extent to which you can
legally borrow from the ingredients
of other people's sonic
manifestations. Is a musical
property properly private, and
when and how does one trespass
upon it? Like myself, you may covet
something similar to a particular
chord played and recorded
singularly well by the strings of
the estimable Eastman Rochester
Orchestra on a long-deleted
Mercury Living Presence LP
of Charles Ives' Symphony #3
and you're thinking "Oh no,
welp here's another song down
the DRAIN"!
Me
Christopher Evans
thats excactly what i meant, but does the joy of creating music not push you to greater hights?