PITCHFORK 10/10 THIS IS NOT A DRILL
PITCHFORK 10/10 THIS IS NOT A DRILL
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the first in 10 years right?
I've been in love with this lass for years now.
Shit, cat
I need to listen, but I’m watching It chapter 2. Should I pause or finish my romp in Derry?
should have given one to 100 gecs
REMINDER:
This is the first 10 Pitchfork has given to a woman on its initial release.
That movie sucks.
This album is much better.
Yeah, but the only one that actually deserves it
Pitchfork loves white people music
based
People still give a fuck about pitchfork in 2020? lol
Bait right?
only when they give based ratings
But it's rather boring.
fuckin based
Technically incorrect. Kanye featured women on MBDTF
ahahahaha holy shit
amazing
might as well give a 10 to avril lavigne
pitchfork sucks
First new one since Kanye MBDTF
This does absolutely nothing for me. It's excruciatingly dull.
And why the fuck would anyone care about what some pleb at Pitchfork thinks? The average age on this board is definitely
Soon or later theyll regret
I thought they gave Cocteau Twins a 10.
And Bjork never got one?
And Laurel Halo's quarantine deserved more.
they're right you know
I understand the vocals being great. But this is minimalistic in a "I kinda want a bit more or even less" way.
those were all retrospective/reissue reviews
second song and im bored yet
Bjork's Vespertine is 7.2 and this album is a 10 LOL
damn when did Yas Forums get so slow? ten years ago this would have made the board go crazy
Pitchfork is too focused on lyrics.
boards less popular than ever and newfriends don't read p4k, they're all fantanokids
when will we see the next perfect score? 2034?
>Apple was moving towards all of this with 2012’s The Idler Wheel. Even after the fury and eloquence of her initial three-album run—manifestos from a voice of disenchantment who knew even as a teenager that she was “too smart” for the world—Idler Wheel still felt like a breakthrough. It was the first Apple record to realize the breadth of her potential in the ecstatic reach of the music itself. On the corporeal “Daredevil,” she sang of “gashes” that gave her “lift.” But on Fetch the Bolt Cutters she calls the gashes out by name: “bullies,” “it girls,” “wannabes,” and, above all, toxic masculinity.
>so smart she accepts the mainstream status quo that bleeds everyone dry
but this album is shit?
she echoes the shallow posturing of trust fund brooklynites better than any other modern artist
whenever 10000 gecs comes out
It's sorta not interesting enough to get attention. Like the hooks are just not there most of the time, though there are some amazing and interesting parts.
youtu.be
But that was after 3 minutes of average indie pop.
>"I kinda want a bit more or even less" way.
That's a good way to put it
She's a fantastic songwriter, but she would benefit from a bit more ingenuity.
So it's ironic right?
Please tell me it's ironic.
This is the person whose Pitchfork rating Yas Forums seems to put so much stock in.
is he right?