When you’re unemployed, the weekends are meaningless edition
Comfy /Jazz/ thread
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Comfy bump
Keep coming back to this, real good for a hot soak for my covid lung
This is my favourite album by him. I much prefer this kind of stripped back pseudo-chordless ensemble (given Green's single note soloing style this feels like the right way to describe it).
The albums I've heard where he has piano or organ backing just feel less raw and maybe even a little overwrought at times whereas this is consistently bluesy/soulful without any clutter.
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Is this fusion? Is jazz only fusion if it mixes with pop/rock or does it count with other genre fusions?
So up until kind of blue dropped, everyone
was mostly soloing in chord scales?
Well not everybody, but nobody had synthesized modes with something sufficiently pleasant sounding enough for a multiplatinum payday
Sort of, depends on what you mean. If by that you're asking if people were playing triads with some extra chord tones like 7ths, 9ths and 13ths, there was a hell of a lot more than that happening. The harmonic backdrop of most pieces was based around chord progressions whereas in modal jazz the harmonic backdrop of most pieces is the mode. Even before modal jazz though, there was an increasingly complex harmonic language developed that featured a lot of chromaticism, reharmonisation, etc.
Modal jazz in a sense, gave more improvisational freedom to experiment with that harmonic language because players didn't have to also keep track of and stay tied to the increasingly complex chord progressions jazz compositions were employing.
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>Pepper Adams
>Art Pepper
>Art Farmer
>Art Blakey
>Art Tatum
>Art Ensemble of Chicago
Wie war das möglich?
love me some Erroll Garner. His rendition of Autumn Leaves is marvelous on that album. Here's another favorite
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Its still jazz fusion, its just that since jazz rock/pop is the most common form of fusion they just use jazz fusion as a shorthand term for it
anyone got anymore psychedelic orchestral jazz rock?
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>psychedelic orchestral jazz rock
Queuing that up, that sounds fucking weird.
I feel like this isn't a thing that happens much just because it's expensive and hard to do jazz or rock by themselves with orchestral backing. Albums like The Epic or Parker with Strings often have pretty big issues with integration. In the former case, the strings/choir sound like they are slapped on top and aren't really interacting with the band, in Parker with Strings it sounds like Parker's soloing is slapped on top and he doesn't know much what to do with the string writing other than treat it like any other harmonic backdrop.
I know albums on both sides of the fence where it works amazingly but nothing fusion springs to mind.
This isn't exactly what you're looking for but I think you'd like it anyway.
Anyone else love this record
like this ?
How has no one mentioned this yet
my dad actually turned me onto this album at a young age. Indian Lady is still one of my favorite songs decades later. Great rec!
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This here is the bomb
Getting some Hiromi Uehara as of now
This man is a national treasure, say something nice about him
You died 33 years ago, mate
more like this?
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Benny Goodman is mediocre at best but I'm glad he helped popularise Bob Dylan and Robert Johnson.
That’s John Hammond bro
You are correct. What's your point?
listening to Bohren and the club of gore - Sunset Missions. Is this even jazz? I thought jazz must have improvisations, but this sounds like straight forward songs to me
It's jazz influenced but it shares more in common with a lot of ambient music. Something akin to what Bersarin Quartett is to modern classical.
anybody got any jazz that sounds like its right out of a 50s neo-noir film? Stuff in the same vein as Angelo Badalamenti's Twin Peaks soundtrack and Ascenseur pour l'échafaud by Miles Davis?
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Barney Wilen made several OSTs that will probably be around what you're looking for (his regular albums are also great)
Thanks mate, will give a listen
Post in the thread, listen to an album.
Rollin
here we go boyo
listening to it now, sounds gorgeous
Rooooooooooll
Timeless really is an underated label
Bumpalump
Toots didn't even get a sticky when he died. not as shocking as Ornette Coleman not getting one, but still. I wonder if Sonny Rollins, Wayne Shorter or Keith Jarrett will get one
I feel like I don't get what the criteria for stickies is. I thought it was to collect spam/duplicate threads but then Kenny Rogers got one.
I don't know either. I'm still inclined to think active mod's likings in music is probably up to 50 % of the decision
How did Miles dominate every genre he touched? Unreal. Wish he took a serious foray into free or avant-garde.
Gotdamn. Chicken Fat got some bounce.
Roll
nice
It’s under appreciated for sure
just watched Born To Be Blue and it wrecked me :( what did you guys think about it? also post comfy chet tunes youtu.be
I sure appreciate these quads
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What’s the best music to listen to while playing board games? For me it’s jazz.
I think he hated post bop and free jazz. I know she shit on it a lot in blindfold tests.
Rolling
Bump
Ayo
I generally favour his organ trio albums. Every single one of those is fire, and I don't see the "less raw" complaint in albums like Talkin' About
rollin
Hey have any of you guys heard this? Do you think The Lost Quintet would have had the potential to equal the 1st and 2nd great quintets?
>Bass – Dave Holland
>Drums, Marimba – Jack DeJohnette
>Electric Piano – Chick Corea
>Tenor Saxophone, Soprano Saxophone – Wayne Shorter
>Trumpet – Miles Davis
This albums is pretty damn close to free jazz. There's just barely a pulse at times.
just listened, it was lovely
Yeah, his post-bop era was very avant-garde for him. Just wish he did "straight" free jazz if that makes sense.
He absolutely fucks on this one
Yeah, I get what you mean. A lot of the time he's only a shade or two off total freedom though.
Free jazz comes in degrees. I remember a while ago someone posted an analysis of the Second Quintet's stuff where it analyses how free they got in different tunes based on what elements of straight ahead jazz they dropped. I've never been able to find it since unfortunately but it really changed how I think about what makes something free jazz.