Their QC lets through some things like tool marks and finishes, but the vast majority are really playable. If you've taken one and played it (without a bitter, preconceived notion that will poison your perception), they are very nice to play if you like low action, and their fret work (in terms of level for playability) is actually way above average in the industry (actually better than Fender, who hide it by having a much higher action). Consoomers are those who want to buy a 'flawless' guitar and send them back for a tool mark without actually playing it.
Gibsons aren't stupid money, and slight tool marks don't fuck it up, especially after you play a guitar for a while it'll get dinged and scuffed from general use. Bad frets and necks do though.
Anthony Adams
thats great for practice and recording, but having a laptop onstage seems pretty unreliable
Luis Morgan
wireless guitar chord, interface and laptop backstage with the tech, seems pretty reliable. you could literally play death metal then folk after 1 second without tweaking anything, just clicking on the other saved preset.
Gabriel Collins
>its okay to be fucked up because y-you'll do it anyway! you buy your cars pre-wrecked too, right?
Jaxon Myers
What pickup would you put in a Epi SL? im thinking GFS hot rails and a noiseless strat pu in the neck pos.
>wrecked That's the point, they're not. It's like a bit of mud on it from driving to the dealership. Bad frets/neck is like needing an engine job straight out, which you will get with shitplanks.
Nathaniel Phillips
so you'd have a tech hunched over with a mouse backstage? also, wouldn't latency be shit?
Sebastian Nguyen
Got my cheap guitar link working today boys, so fun just fucking around in reaper. Gonna get a scarlet solo eventually. This one is ok but it gets noisy fast if you get greedy. Is there a way to just make my headphones monitor volume louder without actually raising volume on the track and therefore getting closer to clipping etc? I'm new, please be patient. My headphones are maxed in windows 10 but i cant figure out how to listen at loud volume in Reaper without increasing all the noise and shit.
to clarify, my headphones CRANK youtube and stuff fine really loud.
Brayden Mitchell
>so you'd have a tech hunched over with a mouse backstage? the tech would just have to click on the other preset, and that's if you where to play death metal, then folk, imagine the amount of tweaking the tech has to do when switching to acoustic and adjusting the physical guitar pedals. >also, wouldn't latency be shit? I have an entry level interface, around $100, and a pretty average laptop, like $1100, and there is absolutely no recognisable latency to the human ear.
Lucas Jackson
>lets get some mud spread on my brand new ferrari, hell yeah im done, man
Adrian Bennett
>$1100 pretty average laptop >tech just to click shit okay, rockstar how would you switch effects live, aka midsong?
Wyatt Richardson
FUCK OFF SHROOM YOU POSTED THAT DEF MEEDL SHIT IN THE OTHER THREAD WHAT IS WRONG WITH YOU REEEEEE
Lincoln Cook
DONT TAKE GG PLEASE ITS ALL I HAVE LEFT
Ryan Gray
>okay, rockstar wtf is this seething about? I'm not a rockstar, nor did I say anything that would even hint at me implying that, WTF? >how would you switch effects live, aka midsong? idk what you mean by that, do you mean stuff like wah pedals (which sound shit anyway)? You would just have to get a physical wah pedal. Also, If you where to switch between acoustic to distorted, that's easily programmable into bias FX. If you badly wanted that to be physical, then you could get a physical distortion pedal. But for most songs, Bias FX is the best option.
Caleb Taylor
hot rails.
Thomas Wright
why not mod it and put normal hummies in there?
Jordan Scott
i meantif youd turn on a digital pedal or preset midsong for a different section (clean to distortion, or different effects on a solo) >wahs suck okay bud
Christopher Thomas
>i meant if youd turn on a digital pedal or preset midsong for a different section (clean to distortion, or different effects on a solo) That is easily programmable if you wan to time it, but if your soo involved for example a few notes wah and a few notes phaser ect, you could get the tech to do that or, again, have it programmed to automatically do that. >okay bud That's just my opinion, wahed shredding sounds kind of shitty to me rather than just pure shredding.
Joshua Anderson
I dont want to route the body, it can only fit singles.
Angel Clark
>if your soo involved *if your solo involved I meant
Justin Bell
are jackson guitars cringe?
Kevin Powell
>playing to a backing / click track gotta love the live energy i'll just pay way more for a helix or kemper
Josiah Fisher
80s and 90s MIJ/USA jacksons? no
current FMIC indian shit. yes.
Gabriel Murphy
can and will you shred? if yes, then no, they aren't cringe
Jonathan Thomas
Well, If you don't like the pedal options, you can have physical ones, but my original point was that it's better than amps, because you don't need to buy many amps for different effects, you can create any guitar tone better than the actual amps can, for less than the price of a half decent cab and head, imagine paying for every good amp for every different guitar tone.
Camden Murphy
i can't imagine that, that would be crazy, haha i planned on going digital anyway too bad not every place has a PA
Matthew Ward
>i can't imagine that, that would be crazy, haha yes. It would. Unless you're a rockstar.
Landon Morgan
Never give your money to gibson. either buy use or just get one of these
High volume = more fun. This is objectively true and we all know this. But I'm going fucking deaf with my amp's volume set to 3. Do you guys wear plugs when riffing around?
>Fender releases the Lead II and Lead III >Lead III seems more up my alley because humbuckers with coil tap >Order one through Guitar Center for store pickup >Tracking goes cold for a week because UPS is shit, finally get the email that it's arrived >My GC is a state away, road trip >Get my Fender box and go back home >Open it up, It's a Lead II >Try and fuck around with it, single coils are too loud, decide to take it back >Road trip 2 >Give it back, make them order me a Lead III >Lead III comes at the end of that week >Road trip 3 >Open the box in store this time to confirm it's actually what I ordered >See the "Lead III" on the headstock and the finish I wanted through the packing foam >Success, go home >Plug it in >Bridge humbucker is humming like a slave >Fuck with the coil tap switch, nothing changes >Neck humbucker works and taps as intended, bridge one isn't connected up properly and only works as a single coil
I JUST WANT A FUCKING HUMBUCKER IN THE BRIDGE FOR DISTORTED TONES, WHY THE FUCK CAN'T SHIT JUST WORK
So ive realized months after having learned barre chords and forgetting about them, i cant play the a shape variation, my hand instinctively goes for the major 7 shape, and trying to barre those three strings is impossible with one finger for me and using 3 is too crowded and requires a painful amount of bending. plus both results in tonnes of unneccesary muting
Am i just being retarded? i remember being able to do this but now i think i might just have done it wrong then forgotten about it