sneed metal edition
old:FAQ: pastebin.com
/metal/
>christcuck posts a jew laughing
of course
All your papers seem to be in order. Just tell us what your favorite thrash album is and we'll be all good to go.
I miss him so much, bros...
kek, forgot the link
'ate atmoshit
'ate meloshit
'ate djent
'ate deathcore
'ate tech noodling
love me caveman riffs
love me d-beats
love me blasts
love me chugs
love me oughs
simple as
Geisha goner - catching broadness
>Deathcore is shi-
youtube.com
Again, Manson remains a complete non-entity to most metalheads. This isn't me knocking his quality as a musician, I'm just pointing out that he's kinda outside of the realm and consideration of our genre.
Finish your sentence
LISTEN TO THE SOUNDS OF THE POUNDING BATTERING RAM
THEIR BLACK WINGED ECHOES
FLY DOWN THESE DESOLATE HALLS
Dark Angel - Darkness Descends
>I guess, if you're really into YA fiction and edgy anime
Which you should be if you listen to /meal/
You think Varg uses his welfare checks to wipe away his tears every time he remembers that Tolkien was a devout Catholic?
a handful of songs on his first few albums are a good entry-level gateway, like Rammstein and Korn. The Beautiful People was the song that got me wanting anything heavier than Green Day when I was a kid.
Just because something happens to lead into heavier music doesn't mean that it's metal, nor does perhaps having a few metal songs here and there make him a full blown metal artist. AC/DC were part of what led me down the path to metal, but I'd never claim that they were a full blown metal band.
That was pretty based kid, you can roll with us anytime
I don't claim he's metal either, just saying without him I probably wouldn't have gotten into it in the first place. That's just me though.
youtube.com
deathrash
old school edition
Testament had like one, maybe two, really great albums. There's more than enough American thrash bands of their era that can match their output that aren't in the big four.
>Why, America Must Be Destroyed by Gwar, of course
Ok.
>one, maybe two, really great albums
you say that like it doesn't apply to the bands that are in the big four either.
>those two tiny guns sticking out of the hull
pew pew
does crossover count?
Why deathcore employs such garbage and off-putting production methods to ruin potentially good music?
youtube.com
>awful sterile and flat kick and snare
>mushy background cymbals with no crisp or edge
>toms are just muddy background noise
>overly layered and overproduced vocals which sound completely artificial
I can even understand plugging breakdowns in every song, which are by the way completely fucking idiotic and the laziest, dumbest way to make a part groove. But the production is just so shit what the fuck. And this I've stumbled upon by far not the worst example, still garbage.
Even the good boys like Slice the Cake have a bit of that in other parts. What is this shit? Do these people have no appreciation for the sound?
>does crossover count?
Megadeth:
Killing is My Business, Peace Sells, Rust in Peace,
Metallica:
Kill Em All, Ride the Lightning, Master of Puppets, And Justice For All
Slayer:
Show No Mercy, Hell Awaits, Reign in Blood, South of Heaven
Anthrax:
Spreading the Disease, Among the Living
Anthrax is the only one you might be right about, and even then they at least aren't excessively similar to Metallica.
Crossover is based and punkpilled. It always counts.
This.
breakdowns can be done right, but deathcore just doesn't. The trick to a breakdown is that it's gotta be either the nasty riff but slower, like Grotesque Impalement, or be more of a background for something else that's going on, like Raining Blood. All deathcore breakdowns are are le brutal 8 string open note chugs over a really simple drumbeat and it's the most pathetic thing that people just eat up for some reason or another.
That deathcore has been getting away with this one incredibly boring musical trick for well over a decade now is one of the great mysteries of music. You'd think the fans would be bored by now.
still the best thing any member of Anthrax has ever been in
Fans get bored of deathcore within a year, then new generation of 16-yearolds gets to age and the cycle continues
Deathcore fans just have the same number of brain cells as the amount of frets they use in a breakdown.
zero.
FUKK 2: SADISTIK FUKKALOO
Harsh praise, but entirely correct.
lmao I bet he doesn't even pick berries and collect welfare
I AM THE WORKING CLASS
Give me the essential crossover albums, lads.
Reign in Blood. no, I won't apologize
Acпид - Кpoвoизлияниe
is there even an essentials chart for that?
>all deathcore is sh-
youtu.be
Based.
The Red Chord is great.
A good starter list:
Stormtroopers of Death - Speak English or Die
D.R.I. - Crossover
Suicidal Tendencies - Lights... Camera... Revolution!
M.O.D. - Gross Misconduct
Nuclear Assault - Handle With Care
Cryptic Slaughter - Money Talks
I would stick Scumdogs of the Universe in there, The Salaminizer is a fucking jam
No. One should get made though, crossover is based. It's one of many examples showing that metalcore is retarded for somehow fucking up the winning formula of mixing hardcore with metal.
>Cryptic Slaughter - Money Talks
I thought this was thrashcore. What's the difference?
transmission zero ~ ghoul
youtube.com
90s metalcore is based.
youtube.com
Hello
I'd regard it as an album that definitely strays into a grey area, but I think it's still metal enough to be called crossover.
>that album cover
Gross.
Yes, we'd like to offer you the position.
A gigachad ouroboros.
seeing crossover live > listening to crossover albums
youtube.com
When do you cross the line from crossover to pizza like pic related?
Thrash just isn't the same without at least a hundred other people going berserk with you.
this user here, fuck yeah I love these guys, they're fun as a fuck live, don't take themselves overly seriously either.
Finally
When you go from genuine humor to meta bullshit, lazy references, and mediocre memes.