Why did they do it?

Why did they do it?

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Videogame music is shit anyways.

No clue. He was obviously a good asset so I don't know why they'd piss him off to the point where he's against working with them again.

What? Theres videos of him working on the music?

The OST release dummy

Bethesda seems to have their head up their ass when it comes to marketing Doom. They fucked up the marketing strategy with Doom 2016 too (although, personally, I liked the multiplayer anyway so I don't know why everyone was so hung up about how trash it was).

but why release it, eternals soundtrack was pretty trash

I didn't mix those and wouldn't have done that. You'll be able to spot the small handful of tracks I mixed (Meathook, Command and Control, etc…

It's refering to the mixing of the Soundtrack not the music he recorded.

Outsourced mixing and mastering to someone cheaper. 99% of mastering engineers brickwall their shit, so this is what you get.

RIP

MIKE IS OUT BOYS

I REPEAT MIKE IS DONE WITH DOOM

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What about Smash Bros?

>brickwall
?

I thought the soundtrack was pretty good, if he didn't have anything to do with it, why is him leaving a bad thing? Let the people who actually made the soundtrack work on the next one.

The soundtrack is a straight downgrade from 2016.

He also had a hand in directing and composing the music so the SOUL is officially gone

he made the music himself, he just didnt mix it user. those are different things

>talentless people meddling with a good aspect of a game/movie

What is the term for this? It happened with new star wars movies as well.

I hope they hire an actual metal musician for the next Doom.

feminism

>Riding gordans dick
People on here are clowns.

NOOOOOOOO NOT MY DOOMERINO METAL NOT THE HECKIN KAREN TOOK THAT MAKES ME FEEL SO COOLERINO AND BASED ID JUST CANT DO THIS AHHHHHHHHHHHHHHHHHHHHHHHHHH

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Shareholder syndrome

Mixing is different from composing? Ending statements with question marks makes you look like a dumb annoying cunt?

Well shit.

The heavy metal has truly stopped now.

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It's when you compress the final mix (a compressor reduces the volume of the waveform past a certain threshold, decreasing volume differences between quiet and loud parts) to the point where the waveform looks like a brick wall. This is done because it allows you increase the overall volume of the mix, since the limiting factor for how high you can crank it without clipping is the volume of the loudest parts. This came about because louder songs have a greater initial impact on people. It was a way to make a song stand out on the radio. So people kept pushing it further and further until pretty much all modern popular music has it. The downside is it kills the dynamics in the music and makes the song fatiguing to listen to. See pic related. Top is brickwalled version.

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>so I don't know why
Bethesda is reason enough

that's pretty gay

Doom 2016's soundtrack was only kinda there, too. Ok, I get it, that one part everybody recalls is good. But when the entire soundtrack is just metal, it blurs into nothing. It might be good on a technical level, and it is, but it's mostly forgettable.

Such obvious bait undeserving of a (You), but have one anyway.

Well, is someone going to post a fucking link?

fake and gay

youtu.be/JNRCA1hbvQk
peak doom

Do you enjoy sounding like you have a learning disability?