Aryan Art is heavily suppressed by ZOG due to its motivational and inspirational impact on Aryan peoples. Much of the art of the Third Reich which wasn't destroyed outright is now hidden away in ZOG military bases, proving that Aryan Art is a political weapon.
In this thread we discuss why the enemy fears our art, why our art is so subversive to the occupation regime, why Aryan Art is so effective in grounding Aryan peoples in their history, and we share Aryan artworks which have a particular political, ideological, social or cultural effect in awakening our people to their slavery under the vile Semitic occupation regime.
To start this week's thread, I have attempted a restoration of a small battlefield watercolor painted by a German soldier during the campaign of Russian liberation.
Original Scan: Fritz Brauner (mid 20th century) Scene from the Eastern Front - Watercolor on Paper 1942 (Original Scan, cropped)
Original Scan: Thomas Cole (Bolton, Lancashire, England 1801-1848 Catskill, New York, U.S.A.) The Voyage of Life - Childhood - oil on canvas (1842) (Original Scan)
Original Scan: Unknown Austrian artist (19th Century) A view of the Church of St. Charles and Vienna from the ramp of Palais Schwarzenberg - Oil on Panel c.1820 (Original Scan)
Original Scan: Josef Langl (Dobřany, Plzeň, Kingdom of Bohemia, Austrian Empire 1843-1916 Vienna, Austro-Hungarian Monarchy) View of Prague - Oil on Canvas 1886 (Original Scan).jpg
Original Scan: Lev Feliksovich Lagorio (Feodosia, Taurida Governorate, Russian Empire 1826-1905 Saint Petersburg, Russian Empire) View of the Neva River and the Peter & Paul Embankment with the cabin of Peter the Great - Oil on canvas 1859 (Original Scan).jpg
Continuing to post unrestored pieces from my collection. I have enough new material to reach the image limit, please bump if you want me to continue.
Hello. I read your amusing mail about the twitter situation, there is certainly a lot of room for growth since all of the other art twitters mostly repost the same stuff. I predict that you will have thousands of followers pretty soon if they don't ban you.
I've finished restoring that autumn piece but the restoration process turned out to be a bit atypical, it might not necessarily be useful for most restorations. I'll be sending a detailed guide very soon, then I will start on a new demonstration work which will hopefully be more typical.
Alright, that's great. I'll be looking for your mail. On the twitter thing, like I said, if I wanted to grow a lot more and faster, I certainly could, but I want to keep it the good way.
Asher Brown Durand (Maplewood, New Jersey, U.S.A. 1796-1886 Maplewood, New Jersey, U.S.A.) A Pastoral Scene - oil on canvas (1858)
Art and Architecture. Two things it does - it makes you notice things that are subversive and destructive more easily (compare the reaction of someone seeing a homeless passed out druggie with his pants down lying in the street today, to the same person lying in the street of pictured), and it gives you something worth fighting for.
Alfred Thompson Bricher (Portsmouth, New Hampshire, U.S.A. 1837-1908 Staten Island, New York City, U.S.A.) A Quiet Day near Manchester - oil on canvas (1873)
Jasper Francis Cropsey (Staten Island, New York, U.S.A. 1823 -1900 Hastings-on-Hudson, New York, U.S.A.) Autumn - On the Hudson River - oil on canvas (1860)
Jasper Francis Cropsey (Staten Island, New York, U.S.A. 1823 -1900 Hastings-on-Hudson, New York, U.S.A.) Warwick Castle, England - oil on canvas (1857)
I really liked this one. Definitely deserves a restoration someday.
Sanford Robinson Gifford (Greenfield, New York, U.S.A. 1823-1880 New York City, U.S.A.) The Artist Sketching at Mount Desert, Maine - oil on canvas (1864-1865)
