17. murderer question : he was a murderer, he killed three people and maimed over twenty.
Yes, he did. No, he should not have. However, one thing is the writer, another is the text.
One thing is the actor, another is the film.
One thing is the artist, another is his canvas.
(circumstantial) Proofs:
-when a writer dies, his work does not. Shakespeare for example. Long long dead, his works have been published, translated
and reinterpreted countless times
-Anonymous writers exist: there are many examples of excellent anonymously-generated texts. By definition, we know nothing about
their authors, yet their texts are known to us
-Furthermore, we NEVER know EVERYTHING there is to know about non-anonymous writers; thus leaving room for enjoyment and
appreciation of their works when perhaps our ignorance-impaired morality would otherwise not allow us to do so.
For example:
Hemingway: it came out roughly 15 years ago that during WWII he took the 'liberty' of executing over twenty German POW's.
During all those decades in between, millions enjoyed his works, without ever knowing he was a cold-blooded opportunist thrill-killer
Klaus Kinski: about ten years ago it came out that he literally repeatedly raped one of his own daughters. This however does not
invalidate the excellent movies he protagonized, like 'Fitzcarraldo' and 'Aguirre, the Wrath of God'; and even if your own personal
sensibilities do invalidate his work for being such a fucking degenerate, not a single pixel on those films has been changed by you
knowing what horrific deeds he committed in secret.
In both the Hemingway and Kinski examples, your knowledge -or ignorance- of these dark facts about the artists that only
come out years later and even posthumously DO NOT CHANGE THE WORKS THEMSELVES. After all, these facts about Hemingway and Kinski
could very well have never come out, and people would have still enjoyed their Art, never knowing they were closeted monsters.