Why cant nips write a decent ending?

Why cant nips write a decent ending?

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>the mc always dies
why cant god write a decent ending?

>Why cant nips write a decent endin-

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Usually because they get published on the basis of a one shot or first chapter only, and then have to make it up as they go along.

Wouldn't it be better to have a pre-written draft from start to finish then just fill up the gaps in between with fillers rather than just winging it? Even better if they write the ending first then work their way back to the beginning of the story. Making up the story as you go is a terrible way to write a story and will often cause a writer's block.

Even if they have an ending in mind already they often change their minds during serialisation as they get older and lose their edge or want to pander harder to their readers and it turns into the usual bland wish-fulfilment shit or open ending.
Also most people can't write for shit. Actual novel adaptations tend to have better writing at least.

>he thinks only nips are bad at endings
Literally no one can write a satisfying ending. Prove me wrong.

That's only true for decade long series though, a 2-3 year serialization shouldn't be affected by any outside influence that much.

I still hate Komi for ruining Nisekoi, he completely threw out the Mafia vs Yakuza subplot out of the fucking window.

Some light novelists can. Literature is their specialty after all.

A mangaka can't. Their specialty isn't writing, but drawing pretty pictures. This is why their worlds look so beautiful, but often have confusing plots and 2 dimensional characters.

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Mizukami Satoshi
You can suck my dick now

The cortex of their brain releated to empathy isnt as developed as the other races, even the blacks have more developed than them, gooks cant into feelings, thefore they cant write good endings.

>Wouldn't it be better to have a pre-written draft from start to finish then just fill up the gaps in between with fillers rather than just winging it?
The way serialization works in popular manga mangazines doesn't really facilitate planned-out stories. First your manga needs to have a popular enough intro in order to survive with other competing new manga in the magazine, so that's where all your effort goes into. Some mangaka (most infamously being Axeman, AKA the Spy x Family mangaka) have to go through several oneshots before the editors and audience deem it good enough for a serialization. Then if your series isn't popular enough to get enough volume/merch sales, it can get axed at any moment, meaning all that effort you spent into planning a story gets thrown out of the window because you now have only 4 chapters to end your shit. This is why most mangaka only plan in the short-term until the next arc.

The main overarching goal of a MC tends to be vaguely distant yet flexible enough that it allows for a variable amount of arcs to get to that point, so it can go on longer if it's popular enough, but also be able to have a (somewhat) fitting ending quickly if it isn't. There lies another problem, if the manga gets really popular (like One Piece, DBZ, Shougeki no Souma), then editors want to make it go on for as long as possible to milk the most out of its popularity. This puts a massive strain of the quality of writing because there's only so much you can do with a single character before repeating plot beats and character development, and for battle manga it tends to result in power creep. JJBA does neatly avoid this by resetting the cast for each part, else we would be still be dealing with a half-Kars, half-Quincy, half-Josuke Jonathan Joestar with several Stands.

If you're famous enough like Junji Ito or Jiro Taniguchi, then more magazines will be willing to accept you writing short serializations because your name draws in new readers.

As opposed to western stories with shit endings?

>Wouldn't it be better to have a pre-written draft from start to finish then just fill up the gaps in between with fillers rather than just winging it? Even better if they write the ending first then work their way back to the beginning of the story. Making up the story as you go is a terrible way to write a story and will often cause a writer's block.

Editors usually tear apart ideas or drafts even if you have a clear idea of what you want to do. Look at WN to LN adaptions, those are completed works, far more than just a pitch, that get heavily altered from the rough to final draft.

Makes me wonder why not just publish their work online free from the pressure from the editorial bureaucracy. Just put some ads, run subscriptions or donations and maybe sponsors. Don't authors get shit pay anyways since publishers take a massive cut and pay pennies for their work?

>Don't authors get shit pay anyways
10% of volume sales.
Overlord sells 500K per volume, for 1200 yen digital and 4950 yen print.
That doesn't count merchandise, anime, and manga royalties.
There's no fucking way someone would stay free if their story was offered for pickup.

One got it right half a century ago, but those that followed learned nothing from it.

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Kinda referring to manga authors where they're barely allowed to sleep and could get axed anytime if their sales drop under a certain treshold.

>Makes me wonder why not just publish their work online free from the pressure from the editorial bureaucracy
No money, no audience.

Editors aren't even a bad thing.

>Makes me wonder why not just publish their work online free from the pressure from the editorial bureaucracy. Just put some ads, run subscriptions or donations and maybe sponsors. Don't authors get shit pay anyways since publishers take a massive cut and pay pennies for their work?
That's kind of how Korean webtoons and WNs (Web Novels) work. The problem is exposure, trying to be seen in an online market where the barrier for entry is so low means it's even harder for creators to find success and users to find some good shit, meaning it's harder to make a living off if you go independent. Meanwhile being serialized in a big magazine like WSJ gives you all the attention.

Though editorial bureaucracy can be a nightmare, some mangaka definitely need editors to rein them in so the story doesn't go full retard, which tends to happen rather often in webtoons.

For that matter, the most popular WNs get scouted by publishers to get an official LN adaptation (Youjo Senki and Shield Hero started out as WNs, for example), and if those are popular enough it'll get an anime, because adapting an existing popular LN is usually a safe bet in terms of profit. This pipeline is so well known that some WN/LNs structure themselves in a way as what basically amounts to an anime script to make the prospect of an adaptation even more attractive. That said, the reason you don't see this pipeline with putting your manga out for free on the web is that drawing a manga takes significantly more effort than writing a web novel. Instead of wasting all your effort on the Wild West Internet, you might as well shoot for the big leagues of a known magazine.

Japan is quite old fashioned in some parts and mist people their tend to buy in brick and mortar stores rather than online.

>NGE has have 3 shit endings and is about to get a 4th one
Feels weird to think about

At least it's not capeshit

Capeshit tends to have good endings though, even the bad capeshit.

I have no idea why MHA is so popular on this board, it seems Yas Forums has lost its identity falling in love with awful capeshit like this and Tiger & Bunny

I personally not a fan but I find the artstyle "polished" and characters appealing.
>it seems Yas Forums has lost its identity falling in love with awful capeshit like this and Tiger & Bunny
Pretty obvious that it's mostly targeted to shounenfaggots, mainly HxH,DBZ,AoT,OP,Narutards and Jojoniggers that has been flooding Yas Forums since m00t allowed them in and sold out.

It's a combination of most series being designed to go on indefinitely for maximum milking until they're axed and shitty cultural memes around what endings should be.

>mostly targeted to shounenfaggots

That isn't an excuse. People watch and enjoy anime because it's exotic Japanese media. There should be something deeply repulsive about a popular anime being a direct imitation of American comics/cartoons.

>ignoring the shittiest fanbase of them all, FMAshitters

this is why Yas Forums is garbage now, you let these malfaggots roam free

who cares about that old shit

FMAfags are extinct.

>There should be something deeply repulsive about a popular anime being a direct imitation of American comics/cartoons.
It copies superficial details of American comics and is otherwise a pretty typical shonen battle manga. You sound like a genuine weeaboo that worships the Japanese as a holy race.