>Prince that betrays villainness for heroine is dumb, incompetent and so jealous of the perfect villainness he bullies her constantly and the villainness takes it all with a stiff upper lip
> Pick the heroine because she doesn't threaten his manhood by being better than him in everything
> New Husbando is dark, heartless and merciless to everyone he's ever met. Depopulated a nation the size of Germany with his bare hands and a smile on his face.
>Melt into a blusing maiden as soon as he comes into contact with the villainess. Yearn to talk about his feelings with her and feel heart-rending jealousy that leaves him on the brink of suicide the moment her eyes meet another man's.
Otome isekai villanesses are starting to become such doormats that the bitchy heroine becomes more likeable...
If anyone fits the heroine archetype in Tearmoon, it'd be Tiona, who helps lead the revolution against the Empire and was part of the reason Mia was executed in the first timeline. To be fair, she had pretty legitimate reasons, and through misunderstandings thought Mia was directly responsible for a lot of them.
In this timeline though she thinks that Mia is the bees knees.
Oh no Elizabeth got bad end
>if you complain about shotty trends you just aren't a real "fan"
Battle harems had their mockery, as does fucking capeshit in film.
My cheat power is double entry bookkeeping
Fuck I love that one but it's always really sad that they get isekai'd for menial work
>I got reincarnated to do laundry!
Is it possible to learn this power
>In this timeline though she thinks that Mia is the bees knees.
Doesn't she still lead the revolution as far as the current alternate future from her diary records?
That's because some of the future misunderstandings around Mia haven't been cleared yet. Like the ethnic cleansing one.
You either die a villainess, or you live long enough to see yourself become the self insert.