Hiroki Azuma, Ph.D from the University of Tokyo

Hiroki Azuma, Ph.D from the University of Tokyo
>A lot of you probably maintain a single image of anime culture. But in Japan, it is actually heavily split in two ways. This happened in 1995. It was the year when Evangelion was first released. This anime led the split, but it also carries both elements. On one side, it depicts the “real” emotional conflicts of a teenager, and battle scenes are also highly realistic. But on the other hand, it also expresses fictive quality of a symbolic imagination. This split is becoming deeper and deeper.

Toshio Okada
>Whatever we discuss today, we cannot avoid Eva "

Mamoru Oshii
>"After Eva ended, there were a mountain of shows similar to it, but all they did was trace the details.

Makoto Shinkai
>Shinkai, 39, cites Evangelion, Hideaki Anno's coming-of-age epic of childhood betrayal at the hands of misguided adults, as having taught him "anime doesn't always have to be about crazy movement and a lot of action. Sometimes it is also about the words or even the lack of words, things not being spoken."'

Takashi Murakami
>"Evangelion is the endpoint of the post-war lineage of otaku favorites : from Godzilla to the Ultra series to Yamato to Gundam"

Shinbo
>"If Evangelion did not become such a hit, probably we could not have made anime like we do now"

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He is the goat for a reason

real mature, making fun of a guy's looks.

Greatest of all time

I don't care who you are, that's just rude and immature.

The fact that so many people praise Evangelion as the greatest anime ever made is just proof of how immature anime as a medium is.

Is Eva the first time an anime creator was openly and directly having a conversation with the otaku watching through their work? I can't think of anything older that's as acutely occupied with addressing its audience.

academics are hacks

Are these the same realistic fights where the series can't even decide how tall the EVAs are?

ANIME IS DEAD