Act-age

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kuro spilling some backstory here

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Did Kuro take part in Deadtube?

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That's it for this week. Thread theme: youtube.com/watch?v=6i7zxpbOcaI and MEGA link for catching up:
mega.nz/#F!CvYyCIDK!YU6tJal4enX7uq6dRg2iLQ

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>КИНО
Based.Thanks for the dump.

BASED KURO
Hanako confirmed hack once more

>Her smell comes and goes. It's addictive.
Sasuga Araya.
Thank you.

Цой мёртв!

>the everyone
For fuck's sake, where are proofrearders? Why is Viz so fucking incompetent?

mangaplus.shueisha.co.jp/viewer/1006418

yay!

Вы часом не охуели там?

I'm starting to think that this double cast theme was a mistake. Should've just done a normal arc about Hanako(like Railroad) and then a mini-arc about Kuro at work(like the school arc). I'm still not feeling whatever the fuck Matsuki was going for.

I'm starting to appreciate your music choice user
keep them coming, I need to expand my tastes.

Are we gonna see team A perform again? What could they actually do to improve right now?

This chapter spells it all out for you.

>Changes Chiyoko's performance after Team A's done
>Accuses others of doing same.

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Only Chiyoko, everyone else is doing the same.

They definitely fucked.

I honestly hope Hanako blows him the fuck out.

Even if Matsuki is trying to rush it already, its starting to drag on.

I would still hold my judgement until this arc ends, I feel like everything will seem much clearer when you read this arc in on a big chunk than in a weekly pace.

>O-Only Chiyoko!

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I don't know about you guys, but I am just not feeling it in Team B's performance. It just feels hollow. Maybe I am sounding too harsh.

Not an arguement

Never needed one. Kuro's accusing others of doing what he did.

He's a hypocrite for calling that one out, but he did just change Chiyoko's performance.

Kuro didn't change anything, he only gave Chiyoko a tip to change her style to something different, he didn't confess to fucking her dad.

>Changed Chiyoko's performance
>didn't change anything

You are also an angel Yuki-chan

That's what happens when all you have is looks with no substance behind them.

It was Chiyoko's idea to make a change. Kuroyama did not do anything.

It lacks something.

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I don't know if it was planned to be like that or they're rushing it because team A play took more time that needed, but I wanted to actually see the key moments of their performance and make my own judgement over people explaining me how great Kuroyama and Chiyoko are.

Based Kubochad.

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Reminder Kuro-chan has traveled for all the world and has experience as one of the best cameramen in the world

>over people explaining me how great Kuroyama and Chiyoko are.
It's all "tell, don't show."

It was the same with Kei. People here forget that the explanations are something the series has been doing since the beginning. It's a restriction born out of the medium.

To be quite honest, this story, and this arc in particular, would have been better as a anime or something with people knowing their shit behind it.

I don't think it's the same.
One thing is to show you an actual scene and then start explaining what was shown in it. Another thing is to throw a bunch of disconnected frames at you and then explain and show reactions to something you haven't actually experienced as a reader.

the way that last panel shows the perfect duality of her performance right now with the two halves of her face being drawn differently is very nice

that said Kuro using Chiyoko to make Kei even better is a very big dick move

It still works for me because they're literally part of the audience who can comment what they know.
Still doing some tech jargon/exposition, but it feels a bit more natural since they're also part of the audience as we do
The only time it feels jarring is when Kuro does it.

>It was the same with Kei.
Nah, both kei and Riku had great presence and you could actually relate to their characters. Heck chad Riku was even able to change the audience's perception of his character midway. Here we are told that Chiyoko's carrying out both kei and Riku's roles as the extremes yet we don't feel shit. Nor do we see the audience's reaction to it.

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It's not even a competition. Kei wins too easily.

>bitch with menopause
>schizo
The angel is a better fit for a play, you're meant to overact and exaggerate.

Exactly. They keep explaining the concepts but Yonagi made me feel the anger and wrath, desu Chiyoko' continuous switching between characters is confusing

Double-spread.

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>Y-You are meant to overact and exaggerate!
No point if that's all the portrayal offers.

Heh...

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Kei's style is the type that is more fitting to be behind a camera, teathrics are important in a play as bombastic as this.

Yup. Enough to prove it even further.

>that said Kuro using Chiyoko to make Kei even better is a very big dick move
I doubt Chiyoko is naive enough to believe Kuroyama is helping her out of kindness or some shit like that. She's smarter than that. She probably knows he's using her, and she's using him as well so it doesn't really matter.

That should be the bare minimum in theater.
What do you think the people from the last rows saw from Kei's acting
>oh her tone is a lot somber now, amazing acting
Meanwhile they can tell Chiyoko is mad.

We could feel their struggles because of Kei's/Riku's backstory and internal monologues which are mostly missing in team B's performance. It just felt way more personal.

Yonagi reaction is already over exaggerated as fuck. You don't need to act like a retard, they even told her when she tried.

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And like I said, it doesn't mean shit if that's all it can offer.