/film/

Bullshit.

Thanks, Ill put it on my ever growing pile of movies to watch

All of it is really subpar cinema

Another vote for Man Escaped thanks, Ill keep the other one in mind too.

I watched The Draughtsman’s Contract the other night, I thought it’d be sexier but it was still p. good.

youtube.com/watch?v=OqpxT_iJ8Mc
Is he patrician?

>scary stuff.
Lol at that exorcist review

You bullshit
>twitter.com/AcadSciences/status/1252875361982926852

What's good cinema then?

No, but he's a funny wacko

His films have lots of nudity but they are not particulary arousing imo.

Not until mods ban this piece of shit general will I know peace.

Get this, right? These “people” spend all their time watching obscure films and logging them on letterboxd after they've watched them (sometimes before, if they're cheating). They don't make films themselves; they don't even review them most of the time, They simply "watch films." That's their claim to fame. Knowing this is an inherently talentless exercise, they then create “arthouse” threads, discord severs and other such communities, comprised of three or four pseuds all jerking one another off, where they then proceed to shit on others for not having seen as many films - or for not having seen the "right" films. Again, zero real analysis going on here - it's all about the quantity and the age of the films watched. You could be a total mouth breather, but so long as you have hundreds of films logged on letterboxd prior to the sixties, and enough of them are in a foreign language, you get to feel like a big boy. It is beyond pathetic.

Was he the GOAT? No-one used the form as expressively as he did with such consistency.

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Have Little Caesar and Force of Evil lined up for this afternoon. How is your quarantine going anons.
Very strange having basically the whole world in the same boat.

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No.

Dobroye utro, look who decided to wake up? Looks like you cant handle your vodka very well Anonimnyy. I started breakfast since you ware still sleeping, sit down. Come, come now you have to get some food in you, we have more movies to watch and vodka bottles to empty, what else is there to do in quarantine?

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Yes, excellent taste

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>qui postule un rôle central du récepteur nicotinique de l'acétylcholine
I hope this is bait, on your part.

Y u so mad?

unironically based, completely agree with him on all the films I watched out of those. especially with Apocalypse Now, the lead actors acts like fucking Rorschach in a capeshit movie.

I like Kurosawa and most of his films are good, but Ozu, Mizoguchi and Naruse are better.

why

Yes.

They're testing it in France and china.
Smoker's cases have been considerably lower by capita.

Genre filmmaking is dead, nothing in the past two decades has approached the great genre films of the 70s

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I like all of them but I think Kurosawa is better.

>lots of nudity but they are not particularly arousing
perfect way to describe Greenaway's use of nudity. there's a lot of it but it's not there for purposes of eroticism. maybe in Nightwatching but I can't remember anywhere else where it's meant to titillate the erogenous zones.

Long takes are not cinema

There are better directors with more consistent filmographies.

true

Depends on how you use them.
Even in The Cook, The Thief.... i didn't find it arousing but more tender and a bit sensual especially comparing it to the rest of the film.

>In the "Star Wars Episode VII: The Force Awakens" everything is built according to canons that cannot be destroyed. Everything is already known in advance. The audience knows what is going to happen, but still watches as it all neatly resolves in typical Western manner. This is not art. This is a commercial enterprise, no matter what marvelous ideas you embellish it with. Everything is false and absurd.

>In Venice I saw the Anglo-American film "You Were Never Really Here", a tale about the love between a forty-year-old man and a 12-year-old girl. The film is empty from beginning to end, and I didn't feel anything but sadness and disgust as I watched it.

>"The Martian" is phony on many points, even for specialists – an intricate 'examination' of the technological processes of the future which transforms the emotional foundation of a film, as a work of art, into a lifeless schema with only pretensions to truth.

>"The Irishman" seems to me, in general, boring, unoriginal, and extremely unimaginative in its means of expression.

>I watched Mendes's "1917". Very weak lead actor and a misguided dramaturgy, like a cartoon.

>We attempted to watch "Marriage Story". I left in the middle. Monstrous boredom and a totally unglamourous actor [Adam Driver] who tries too hard to be charming.

>I watched the monstrously disgusting "Star Wars Episode VIII The Last Jedi". Money, money, money, money... Nothing real, nothing true. No beauty, no truth, no sincerity, nothing. Made just for money's sake... It's unbearable to watch.

>"Slumdog Millionaire" – 8 Oscars, and so mediocre! Not terrible, but not very human either.

>I watched the much talked about "The Lighthouse". Scary stuff. Dafoe plays one of the leads. Very good.

>The brutality and low acting skills in "Alita: Battle Angel" are unfortunate, but, as a vision of the future and the relation between man and his destiny, the film pushes the frontiers of cinema as an art form.

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Mizoguchi was the only one of those who used long takes and they weren't that long either. Kurosawa's Dreams has much longer takes than anything Mizoguchi has done.

hyperrealfilm.club/reviews/buffalo-66-review

>I would like to make a sequel to Buffalo '66 where a young woman named Billie Brown (played by Billie Eilish of course) kidnaps Vincent Gallo playing himself and forces him to be her fiance. The film is set in the current year and takes place in Buffalo for the first 15 minutes... then the film changes location to somewhere completely tropical and takes place at a surreal beach resort. Billie Eillish Brown forces aging Vincent to do a TikTok on the beach where they are forced to span time as a couple.

what the fuck is wrong with women

>Thread for intellectual discussion of arthouse and classic cinema

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bad

did you guys see possessor yet?

Tarkovsky was relentlessly handsome.

I found Little Caesar to be kinda meh

Force of Evil on the other hand is spectacular just for that end scene alone

Vitalina Varela was my first Costa movie and I thoroughly enjoyed it
What else in his filmography is worth watchin

Based Russian cynicism

watch O sangue and Ossos, both are excellent

You should watch his films chronologically. Vitalina Varela is connected to 3 other films.

Kek

Cronenberg's son looks like an incel caricature, I refuse to watch his flicks.

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