Thread for the intellectual discussion of arthouse and classic cinema.
/film/
Well, he was right.
What is that from it looks interesting I wish I could make a movie. Is this discussing films or making films?
very bad post
Its interesting to watch but dont count on my word as im a big noob when it comes to cinematography. What did you think about losing virginity scene?
Bresson Egomaniac
/pseud/
But Godard hasn't even been mentioned yet
DREYER THEATRICAL
is Tarantino a moralist?
It's his best.
Anyone know a good source to find Tsing Ming Liangs The Hole, I just started watching him after all this talk about Days and am going chronologically like other anons suggested, I can’t find The Hole anywhere so any advice would be greatly appreciated.
I tried watching Woman Who Left and i fell asleep 2 times within the first 45 minutes.
Le Passion de Jeanne D’Arc Variety review (December 31, 1927 11:00pm PT)
Here is a deadly tiresome picture that merely makes an attempt to narrate without sound or dialog an allegedly written recorded trial in the 15th or 16th century of Joan of Arc for witchery, leading to her condemnation and burning at the stake.
One grows terribly weary of seeing her judges reappear, of the long series of captioned questions and answers, of Joan double-crossed, and of Joan doing a long-distance burning sequence, with the French mobs as inserts. Totally a cheaply economic film as a product.
There is some photographic value through the continuous allure of whole-screen closeups of faces only, mostly of the hard-visaged elderly men in cloistered costumes. They look like stone images brought to life.
In appearance, Joan is at all times immobile in countenance and always staring into the camera when she isn’t washing tears off her face
Reminder that Shakespeare was right about Joan """"""The Maid""""""""
rutracker.org
(if you dont want torrent that big, you can search on rutracker yourself there could be another torrent with eng subs that is not as big)
Mr. Rogers keeping it real.
It was the first Lav Diaz I've seen (I only started with him fairly recently) and I was actually surprised that it didn't bore me once. Idk. It is not his best, but I still think it's good and an interesting variation on Tolstoy.
Bresson is overrated as fuck
Cringe
wow so brave
Welles BASED.
school me on torrent. what do I need to download here? all I get is pop-ups.
is this bait
More like Welles FAT lmao
>download magnet
>invited her over again
she's so fucking repulsive but i need to coom. i just can't quit AAAAAAAAAAAAAAGH
DeMille version has Joan of Arc having an affaire with an english captain, was top fucking kek guess the frenchs don't like this silent film version.
nope. first time on torrents. should I click the magnet or usenet download?
thanks!
No, I dont think so
Is it really that difficult to google how torrents work?
Should've replaced Besson's film with Victor Fleming's
>rutracker.org
Thx all the other files on rutracker don’t have any seeders so I didn’t bother with the six gig one but thx for digging it up anyway.
difficult? absolutely not. instead of trial and error, I figure I'd ask the user who posted the link.
Gallo gay
No. The point is that Bresson is at the top and Dreyer at the bottom.
Thx user I’ll give this one a go and hopefully it has some seeders
Yes
the fact that he did this proves he's way more of a man than you are
feel you
It has
I don't care how you feel about Dreyer, in no universe is his movie worse than that Mila Jovovich disaster
Am I supposed to be bored to tears by this guy? Who actually enjoys his work?
Princess Vince
The chart says otherwise
Funny Games is pretty wild
giallo > gallo
Plenty of people enjoy his work. Other than finding his films boring, what else do you dislike about his work?
anyone knows what movie is the one on the op of that 'guess the movie' thread?
I do
I like the original Funny Games but everything else I've seen was really lackluster. Happy End I thought was shit.
Shout out to the user talking about Wakamatsu recently; I finally watched Go, Go Second Time Virgin last night and it was crazy, probably my new favorite from the Nuberu Bagu depending on whether Suzuki counts.
Does anyone else think that at the core of a lot of radical art is a desperate longing for the certainty and comfort of the past? My immediate reaction to the movie was that it is a sort of lament for the deterioration and atomization of society and its social values. The way the boy and girl run around chasing each other like children playing felt like a desperate attempt to recover the innocence that they should still have. The line about the comic book also plays into this.
I don't know that much about Japanese revolutionary politics or Wakamatsu's specific beliefs so I admittedly may be missing something.
As someone who wants to get into directing myself, it is inspiring to see someone make a masterpiece with almost no resources outside of the conventional film industry.