Who is the roger waters of film?

Based Billie Eilish fan
I wish I could press the demo button on a Casio

Probably Terrance Malick.

Overwinded, hits you over the head with a metaphor and then you're stucking watching him meander about like a fucking idiot trying to get to the point. At least Waters was a great musician, whereas Malick is a shitty director.

Ego obviously. He thought he WAS Pink Floyd, even though it was Gilmour’s guitar and voice. The downfall was Waters firing Rick Wright, then hiring him as a session player, then demanding they only play his songs.

Adam Driver

there was nothing left to siphon
Gilmour was the true soul of Floyd
when they started doing gay jazz fusion shit is when it fell apart

Are you referring to post waters material when you say gay jazz fusion?

He became the dominant writing force of the group. He probably flattened the others to some extent, and they probably hated it. So, Rogers decided to leave. Fair enough, but now there's the problem of not being able to perform all of the songs that he wrote under their name. So, he tried to take the name.

You can say what you want about the guy but look at Momentary Lapse, Division Bell, and Endless River, and tell me something critical isn't missing to the sound. Speaks for itself.

idk, part of the wall and animals sounded pretty jazz fusiony to me
when they stopped sounding like their psych rock selves and sounded more like 80s genesis shit is when I lost interest

High hopes is one of their best songs, with or without him

There's no question he and Gilmour worked best when they were together
They both seem like cunts desu

>dude if you're rich you cant believe in taxes
kill yourself

I love High Hopes. But that's the only song from the album I have feelings on.

Animals is heir best album you pleb. Neither of those albums comes close to jazz fusion, which is stuff like return to forever.

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>High hopes is one of their best songs, with or without him

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this nigga knows what's up. gilmour, wright and mason are great musicians, but without creatives like roggo or syd, they end up making easy listening pop rock.

Very good thread guys

THE GRASS WAS GREENER

>Animals is heir best album you pleb.
m8....

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I like Marooned. It might be a bit bland compared to some of their other instrumental work, but it still hits me.

I think Gilmour found Waters to be a bit of an edgelord. Not entirely wrong.

>lmao you're only a socialist because you're poor and want free money
>b-b-buh you can't be a socialist you're too successful
keep covering for your billionaire overlords bro

He has admitted to being a socialist in interviews, you goon. He even sort of mock insults himself by saying things like he's one of the richest socialists alive

Don’t even come at me saying piper at the gates of dawn. Everything before meddle is forgettable.

Goon squad rise up

Marooned is nice too.

That's the problem though, in each of those albums there are only highlights. They aren't the total experiences DSOTM, The Wall, Wish You Were Here et. al were.

he even identifies as a ''dog'' in animals, he's very aware of his privileges

Poles Apart was always incredibly comfy to my ears
youtube.com/watch?v=5ciWB7VykII

>everything before meddle is forgettable
So fucking close, Atom Heart Mother is outstanding. A little rough, but a diamond nonetheless.

All of these songs are nice enough but I understand Roger's comments about it sounding like a "fair forgery" of the former band.

what in tardation is this post? Listen to Amused to Death or The Final Cut (a Floyd album only in name, it's pretty much a Waters solo album). Musically, they're a cut below even The Division Bell. Waters is nothing without his former bandmates. There's a reason, 40 years on, that he's still solo touring The Wall. No one is going to buy tickets for his other stuff.

Meddle, Obscured By Clouds, and Dark Side will always be my favorite.
youtube.com/watch?v=uThZ1uuLLWM

>They both seem like cunts desu
They really are. Gloriously talented cunts, but cunts all the same. Amazing they were able to stand each other for as long as they did.

>thinks the "Dogs" was Waters and the band
Bruh did you even listen to the lyrics of the album?

If only Rogers cooled the ego and realized it was a team effort that made their best music. Imagine if they stayed together through the 80s, maybe 90s, who knows what cool shit they would've done.

But he wrote the vast majority of the wall user.
And the vast majority of Animals.
Obviously yes he worked better with the band, that doesn't mean their dynamics were inherently equal.

Their most underrated
youtube.com/watch?v=a0XCQhZfGVo
Yeah it was overproduced by so was The Wall, the difference was that overproduced was better in the 70s than 90s

>Now that I've found somewhere safe
>To bury my bone
>And any fool knows a dog needs a home
>A shelter from pigs on the wing

filtered

80s Floyd could have been really something special, they had a particular pop sensibility when they wanted. Shame.

John Lennon.

He was great at crafting a story but Gilmour had amazing riffs that Waters only got with Clapton on Pros and Cons of Hitchhiking.

Outstanding track, one of my favorites.

he wrote the lyrics to the Wall. Gilmour wrote most of the melodies. Rick Wright and Nick Mason wrote still more. The musicianship of Water's solo stuff is well below anything Floyd ever put out

The Final Cut more like The Final Kino

Why were Rick Wright's best songs about fucking groupies?
youtube.com/watch?v=Rhge-ZOgfsw

It's been common knowledge since the albuym released that the Dogs are the businessmen, like the record companies, in the world. The Pigs are the ruling class.
Have you never read the thousands of articles where Waters explicitly lays everything out about the album? Floyd is great because Waters never hesitates to explain to everyone what his songs are about because he considers himself some deep political thinker

Not now John is the only good song on the final cut....and it’s because of gilmour.
Those albums would be nothing without the guitar lines, which I strongly doubt waters dictated. It’s not a surprise that the best tracks on the wall were co-written by Gilmour

That's not surprising since Waters was probably the least talented musician of the group, technically speaking.
Source on Gilmour writing most of the melodies? Wright was literally fired during recording sessions.

I heard he's a delusional bootlicking communist piece of shit now.
I hope he eats shit.

FUCK ALL THAT WE'VE GOTTA GET ON WITH THESE
>_________
>fuck all that

>He has admitted to being a socialist in interviews, you goon
I love that he got booed in Brazil lmao

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The Gunner's Dream is the best post-Wall Floyd song

Do you think the bass player wrote the guitar parts? He came up with the chord progressions and lyrics, and is it he worst singer in the band.

MALICK'D

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Writing the chord progressions is what mostly counts as writing the song. Being a guitarist and singer is what Gilmour did, which absolutely gives him credit, but less so.

Well, is it, Yas Forums?

youtube.com/watch?v=R-Lrmd8YhgA

How do you know he wrote the chord progressions?
youtube.com/watch?v=HWhOd0ENVS8

>the Chad Gilmour vs the Virgin Waters from this song
No wonder he turned bitter and left, he wanted that alpha stage presence Dave had

youtube.com/watch?v=-bWdWZLSTio

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He sounds like fucking james hetfield here
ABsolute fucking chad

>Gilmour wrote most of the melodies.

Not true by the way. Gilmour co-wrote Comfortably Numb and Run Like Hell (music only) and contributed a few parts to songs like Young Lust and the Brick In The Wall trilogy. Other than that it's all Waters, both music and lyrics. Easily verifiable by the credits and by listening to the The Wall Immersion edition, which has Waters' original demos.

Not to take anything away from Gilmour, but Rog is a good songwriter in his own right, not just a good lyricist.

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