A near-perfect subversion of genre tropes with enough symbolism and subtext to inspire decades' worth of analytical writing and literature. A textbook example of the capability of genre film to, when placed in the right hands, transcend the inbuilt limitations of its form and ascend to a higher level. Suburban gothic. David Cronenberg coming of age. A decade-defining cult classic. Let's discuss.
Question for discussion: What do you think of the decision to exclude all pop culture references and music in the film?
right one is cute and sexy left looks like a tranny
Justin King
>movies or fags and women
Charles Butler
So many distractions from the internet, i'm still only 1 hour 12 mins into number one. B is so sexy
Jonathan Bennett
user you're hurting your movie watching experience
Leo Hughes
>What do you think of the decision to exclude all pop culture references and music in the film? kino. can't stand all the pop culture shit in Karen's original screenplay
Thomas Walker
this is why you shouldn't watch kino on your computer. it cheapens and impoverishes the singulair kinematic moment with a noisy periphery
Eli Sanchez
neyla jorden
Lincoln Carter
>Why yes, user is the man I'm going to marry and spend the rest of my life with. How could you tell?
>Holding hands at the beach with Brigitte >The strong wind presses her body against mine >as usual, no words are said >She's wearing her windbreaker and sweater from the scene where ginger kills the guidance counselor Didn't last long but it didn't need to. I feel cleansed.
Frankenstein gets a shout-out (if that counts as pop-culture) and there is a Blade Runner reference as well, when Ginge calls Trina a "basic pleasure model" youtube.com/watch?v=XA9e4voN680
IIRC there was a Star Wars one in the final script (something about Ginger turning into Chewie with all the hair growth) but it never made it into the film.
