Storytime of Doom

BAH!

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Ahoy

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It's really hard to imagine these days, but this was super cutting edge realism at the time. Superheroes just didn't act like this before Stan came along.

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I wonder how many times I’ve read the first 100 issues of the FF.

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>science and sorcery
>demons
>no gloves
Already on a good start

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Bah! Doom has no need for gloves! Gloves are for lesser men! (and recoloring errors)

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It still is. A lot of Kirby and Ditko's Stan Lee collab work still holds up. I mean, consider the tropes of modern comics and their attempt at realism being restricted to snarky jokes and the occasional grimdark power fantasy. The self-aware realism in these comics are taken seriously storywise even if the actual material can be satirical. They propel plots and explore character dynamics. Heck, in that one page where Johnny makes fun of Ben by comparing him to the Hulk you expose not only the age difference between the two but you also introduce the idea of Ben Grimm being compared to the archetypal monster figure. Heck, you even incorporate the Hulk into the world of the Fantastic Four without bringing him into the picture.

It makes you wonder how a modern comic writer would approach the scene.

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Promises meant quite a lot in the 60s, I see.

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Based Thing

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>It makes you wonder how a modern comic writer would approach the scene
It would take two issues to get through. There’d be at least a page worth of Ben just holding his teacup in that exact pose.

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Yeah, I was thinking more about how the entire concept of superheroes snarking at each other and trying to get on each others nerves just to get an amusing reaction was such an unbelievable concept at the time.

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>It would take two issues to get through.
At least.

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>the legend of blackbeard
>that guy that plundered a single pirate ship once
Uh

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>Doom just happens to have a cut-off switch that makes the entire computer system explode if pressed
ok

>?
Blackbeard was a career pirate.

>Tommy
>issue with Doom & Namor

Oh no....

I completely agree, but I really do believe there's a ton of intricate mechanisms going on in that conversation. I can't tell you if all of them are intentional beyond the surface level of wanting to take a jab at another property with a tongue and cheek joke, but it gets the job done nonetheless
Nah, it'd be throwaway. Johnny and Ben would be about to stop a generic doomsday weapon before a kid comes up to him to show him his Hulk action figure. Johnny would make fun of the disgruntled Ben as they fight a really big robot or something

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Not in the Marvel universe. The entire point here is that "Blackbeard" was just a time traveling Thing

Comics need more of this cutaway shit.

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You know, considering he lost his face in an explosion like that, you might expect Doom to hold against Sue for causing a blast like this. Look at how violent it is. If he wasn't armored, would he even survive? But he never mentions it. All his hate goes first to Richards and the Thing.

In the fifth issue, Sue blasts Doom and rescues the three others who are about to die. This should be mentioned when discussing how "useless" she was.

Of course, how she knew which was the cut-off switch and why short-circuiting it would make the panel go off like a bomb... well, that's a puzzle. Maybe she had been reading some of Reed's notes late at night?

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Is this the first time the Baxter Building was named?

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This does bug me when trying to read current comics. One character says something. Five panels with identical art, Then the second character goes, "Huh?" Another page done.

I think it was in the third issue, I'm not sure.

Better than the Lincoln's Mother thing.

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Whatever happened to Doom's pet tiger and pet vulture?

Years later, Jack Kirby claimed that Doom only got a small scratch on his chin. The art here disproves that. Look at the blast knocking the door off its hinges and across the hall. Look at Doom with his entire head bandaged. He was mutilated.

I never that small scratch theory anyway. It cheapens the tragedy of the character.

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