You have to admit this is the perfect example of how cartoons should've been.
You have to admit this is the perfect example of how cartoons should've been
Eli Gomez
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Logan Martin
I don't and I won't because you're wrong.
James Diaz
Well, it was the precursor of Ren and Stimpy, so yeah
Colton Mitchell
It was good.
Easton Smith
It was kino
Nathan Moore
Probably the most significant show that never gets talked about since it influenced so much and brought so many creators that defined the 90s/2000s
Wyatt Rodriguez
>implying there's one sole way to make cartoons
Ok, boomer
Who worked on it besides John K?
Caleb Bell
>how cartoons should've been
Rushed, badly written, and badly animated?
Thomas Nguyen
>It was a huge springboard for many cartoonists and animators who would later become famous, among them John Kricfalusi (creator of Nickelodeon's The Ren and Stimpy Show), Bruce W. Timm (producer of Warner Bros. Batman: The Animated Series), Jim Reardon (writer for Warner Bros. Tiny Toon Adventures and Disney/Pixar's WALL-E and director for Fox's The Simpsons), Tom Minton (writer and producer for many Warner Bros. television cartoons, including Tiny Toons, Animaniacs, The Sylvester and Tweety Mysteries, Baby Looney Tunes and Duck Dodgers), Lynne Naylor (co-founder of Spümcø, character designer for Batman: The Animated Series and storyboard artist for Cartoon Network's The Powerpuff Girls and Cow and Chicken), Rich Moore (animation director for Fox/Comedy Central's Futurama, director for The Simpsons and director of Disney's Wreck-It Ralph, Zootopia and Ralph Breaks the Internet), and Andrew Stanton (director of Disney/Pixar's Finding Nemo, WALL-E and Finding Dory) and others
Joshua Anderson
Where?