Are there any comics that have creative paneling ?

Are there any comics that have creative paneling ?

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yes

I hope you weren’t using that as an example,

Even the worst of Japanese art is better than the best of western shit.

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What is supposed to be creative about that page?

maybe that 80% didn't involve talking?
Using a double spread page to capture the silence of an emotional moment.

what hapenned to sarah?

>Using a double spread page to capture the silence of an emotional moment.
This , it's not just 4 boxes put together , admittedly i could've used a better example but this page from Naruto is the first thing that came to mind.
Mind you , i don't read either comics or manga (anime only chad ) , it's just that every screenshot I've seen of comics is so bland.

That's... not really creative or even has anything to do with paneling, though.

I mean, you want us to post some Steranko shit? Because, I fucking love the bits where he has a character walk through the panels.

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>The Heart

/this shit thread

Damn this good
I didn't know comic have this creative paneling

>it's just that every screenshot I've seen of comics is so bland.
So what, you selectively go blind whenever somebody posts Dave Sim, Frank Miller, Dave Gibbons, Neal Adams, Jim Steranko, Jack Kirby, Steve Ditko? Come on user, I can't google all these fuckers at once, put some work in.

most shit by Frank Quitely and Moebius

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Anybody wanna storytime Pax Americana for these kids? I'm at work rn otherwise I would.

JHW3, Quitley, Del Mundo, Sharp, Allred, JLGL...

most double spreads dont have a lot of dialogue and panneling

I don't lurk here , all my exposure to comics comes from Yas Forums where it's mostly mainstream Marvel and and DC.
Feel free to post the good shit.

It was stupidly popular in the 70's. Though a lot of it was simply the image divided up by panels. Steranko here, really shines by making Cap walk through the background. It really shows how absolutely still the kid in the foreground is as he sleeps.

Gwenpool

Narutards were never creative

I'm at work rn otherwise I very well might. I do hope you understand where your misconception is coming from here.

The only comics that get posted on Yas Forums are terrible ones that get posted for baiting purposes

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I think Alan Moore used some clever paneling in Watchmen but it is so simple that it is easy to find it repetitive or even too simple and boring.

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no

This spread could have been really cool if it got rid of the last panel and had Sasuke's panel stretched out to mirror Naruto's.

One Piece

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not a narutard. what happened? rasengan vs chidori explosion? Did Naruto get fixed up, while Sasuke, like n idiot chose to remain handicapped?

Can weebs GTFO this board?

Comedy is cheating
I hate 4th wall breaks

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>Oh no, they're posting weeb shit on my anime website!

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That's not creative and that's not paneling. Go back to Yas Forums you crossboarding faggot.

Naruto has drawn more dimes in 20 years than either of the Big 2

I don't like this spread and I didn't like this run, but I'll admit that it was creative

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>the whole bullet

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>Comedy is cheating
Choke on a pretzel.

From what I’ve seen Alan Moore’s swamp thing has some interesting paneling

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This, and also the entire comic itself

I was never as much a fan of this page from Pax as I was the Question spread, but a lot of people more knowledgeable about the medium than I am love it

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Who do you think is more to credit for the paneling decisions? Quitely is an extremely competent illustrator, but Morrison is known to do thumbnails while he writes.

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>I hate 4th wall breaks
That’s not a fourth wall break, it’s a reality break

cerebus is chock full of them

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How the fuck is OP creative paneling? It’s the most standard kind of page spread

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That's pretty much my stock, I don't have many examples of creative paneling saved. I realize I'm about to out myself as a total pleb here, but I tend to be turned off by "overly creative" paneling. Even if I can admire the technicality of a well-crafted spread that breaks paneling conventions, sometimes it goes too far and (please forgive the cliche expression) breaks my immersion. I go from being in the living world of the comic to stepping back and watching it again become mere paper and ink as the author/artist waggles their eyebrows and says "look what I can do!" Obviously sometimes that's a purposeful choice on the part of the creators to do meta-commentary, but other examples (such as the Marvel Boy spread I posted) just feel a tad gratuitous and self-indulgent.

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the shallowness of manga exemplified by one page

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Maus

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This one does it better

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It's legit awesome.
The scene is designed to guide the reader so efficiently, he barely notices that the direction of the panel order changes.
And the parallel between the text and panel structure is very witty, if belaboring the point by raiding the thesaurus.
Then again, the various... turns of phrase contrast the viewpoints of the characters on their topic.

What in the actual fuck. Do you seriously think that's creative panelling? It's a double page spread, with three panels at the bottom. Hell, it's kinda dumb, because they've taken care to watch out for the gutter loss at the bottom panels, but not the top. So it looks like a retarded layout no matter what format you read it on.

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>I hate 4th wall breaks
You don't understand what 4th wall is, and don't understand enough about the page to make any assumptions.

Are you familiar with Scott McCloud's art intention quadrant model? Formalist / Classicist / Animist / Iconoclast?

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Great Eisner tribute and the best tomorrow story imho.

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weebs gonna weeb, man.